All posts in “サブカル”

発表!ニンジャスレイヤー・フロム・アニメイションのコーナー『ザ・TV・ショウ』をROBOT55が制作するど!

人類の皆様こにゃにゃちわ!ROBOT55(ロボット・ゴー・ゴー)です!

 

2015年4月16日(木)23:00〜 ニコニコ動画他にて全世界配信開始される『ニンジャスレイヤー・フロム・アニメイション』のコーナー的番組『ザ・TV・ショウ』(パーソナリティー:古川タロヲ、白川未奈)をROBOT55が制作することになりました! Continue Reading…

言いたいけどまだ言えないっ!

人類の皆様ご機嫌麗しゅう♬ROBOT55(ロボット・ゴー・ゴー)です!

 

先週は人間の皆様の間ではお花見で賑わっていたようですが、ROBOT55は撮影や編集でザ・忙殺!

やっと一段落ついたと思ったらぐるりはもう葉桜になっております。

ROBOT55も来年こそは日本の悠久のロマン行事に参加して桜の樹の下でハイオクの油を一気飲みした挙句、ベロンベロンになってカラオケ歌いたい♬

 

ま、しかしながらこうして忙しいのには当然、色々理由があるんです。 Continue Reading…

ROBOT55ご贔屓の芸者さん!

人類の皆様コニャニャチわ!ROBOT55(ロボット・ゴー・ゴー)です。よ!

 

人間だれでも仕事ばかりしていてはダメですよね。大いに働き、大いに遊んだ方がいい仕事も出来るというもの!

そんな「明日への活力」はロボットにも必要!いい動画を制作する為には一流の作品を見て、一流の遊び方をしなくてはいけません。

そんな僕、ROBOT55は何を隠そう大の芸者遊び好き! Continue Reading…

ROBOT55 格安動画講座 – 上手な動画撮影のコツ 其の六 – ウェブ動画最適の尺とは?

人類の皆様、ご機嫌麗しゅう!ROBOT55(ロボット・ゴー・ゴー)です!

 

「志は高いが予算は低い」方々がスマホを使ってDIYでウェブ動画、特にお店・商品紹介動画やビジネス動画を制作する上で、少しでもお役に立てればとROBOT55が不定期に行なっているのがこの「上手な動画撮影のコツ」シリーズ♬

 

今日はウェブ動画の最大の特徴の一つといえる「最適の尺」について。

 

1930年代から現代に至るまで、フィーチャーと呼ばれる映画の長さは平均80分〜130分位です。

この時間は一説によると古代ギリシャの劇がほぼその位の尺だったからというところから来ているという事?! Continue Reading…

ニンジャスレイヤー(Ninja Slayer)フロムアニメイション、4月16日(木)23:00から放送開始!

人間の皆様、ご機嫌麗しゅう!ROBOT55(ロボット・ゴー・ゴー)です!

今日本を始め世界中でブームになっており「ニンジャ・ヘッズ」なる言葉まで生み出したニンジャスレイヤーのアニメ版が遂に日本でもニコニコ動画で配信になります!

何を隠そう実はROBOT55もこのカルト番組の制作に関わっているんですが、かなり面白い番組がお届けできると思います〜♬ Continue Reading…

全てのホモサピエンスの雌の皆様、おめでとうございます!

人間の皆様、ご機嫌麗しゅう!ROBOT55(ロボット・ゴー・ゴー)です!

明日は人間の世界ではHINAMATSURIという女の子の健やかな成長を祈るお祝いの日なんですね!〜♬

雛に代表される人形を祀ったり、災厄を人形に身代わりさせるという伝統も如何にもアニミズム的で神道の香りが立ち込めていて、日本古代文化の悠久の時の流れのドラマも感じてしまいます。

またロボット的には「人形」というもの自体にも他人とは思えないシンパシーを強く感じる訳です。ええ…

ROBOT55_Hinamatsuri_doll

ところで皆様!最近(って程最近でもないですが….)facebookで勝手に再生が始まる動画が増えたと思いませんか? Continue Reading…

昭和39年東京オリンピック

ホモ・サピエンスの皆様こんにちは!ロボット・ゴー・ゴーです♬

2020年に東京で再びオリンピックが開催されるということでロボット界も大騒ぎなんですが、今日はここで今から半世紀以上前に東京で行われた最初のオリンピックのアメリカ・ユニバーサル・ニュースの貴重なアーカイブ・ニュース映像をご紹介したいと思います。

Continue Reading…

A Japanese Rock & Roll Ghost Story

“Don’t dream it. Be it.” – Tim Curry as ‘Dr. Frankenfurter’ from the Rocky Horror Picture Show

Last year, when I had a close call with death (please refer to: Near Death at the Hospital, Last Month! – Back in Humor, This Month!) I realized that I needed to start doing the things in my life that I have been dreaming about. So, I decided that I had to get my talented friends together and make a short feature film. I think there is a chance for us to build a Rock & Roll Cult movement that is famous around the world between now and the 2020 Olympics.

I want to be in the center of that movement. The movement involves Japanese culture, past and present, rock and roll music and animation.

To make things easier to grasp, I think it might be good to tell you, dear reader, the 4 key words (images) that I always want to keep in mind for all the films and projects we make: 1) 1950s Science Fiction, 2) Rock and Roll, 3) Horror/Ghost movies, 4) Tarantino.

I think if I can keep my mind, and my staff’s mind, on these images, then we will succeed in making the kinds of things that will be perfect to put 2015 ~ 2020 Tokyo into the minds of the fans of cult films and music… Because the Olympics and big money cash-ins amongst the politically well connected ARE NOT what we, nor Japanese people are about… At least I hope so.

Our story is about a struggling Rock and Roll musician who finds the tortured spirit of an old blues musician living in his studio. At night, when they are all alone, the two together make music that is unworldly in its brilliance, yet no one can hear it except the struggling rocker and the dead blues musician. It doesn’t have a happy ending… Or does it?

I wanted to make this movie on the level of quality of something like Quentin Tarrantino makes. Yes. Laugh now, if you wish; it is a ridiculous goal for us. Ridiculous or not, that is the heights we aim for.

To be the director of the movie, I asked Enrico Ciccu who has written and directed for some very fine cult movie productions in Italy. He has agreed to direct. Enrico is a difficult person to work with; but that’s the way I like it. Great artists are never easy people to deal with. Enrico wrote the screenplay and had a large hand in the making for this short film which was accepted at the Sapporo Film Festival: “Julie – Johnny Guitar.”

I think “Julie – Johnny Guitar” captures the essence of what we want to accomplish in the Rock & Roll Ghost Story: A Tarantino style full of cinematic allusions and pop culture references.

In any quality film, not only is the director a critical issue, but lighting is also something that makes or breaks the visuals – and therefore the suspension of disbelief – in a film. For the lighting of our movie, I recruited a guy who has been a good friend for nearly twenty years. He was my next door neighbor for ten years and he is now my lighting director. His name is Yuji Wada…

Oh, yeah, I guess I should also mention that Yuji Wada was the lighting director for many Sophie Coppola films, one of my favorites was the Hollywood smash hit, Lost in Translation starring Bill Murray.

lost inThe lighting in this scene is the feel of what I want. Yuji is the perfect guy for that. Need proof? Here, below, is a shot from our session on Friday, Jan. 23, 2015. This is EXACTLY what I wanted.

ghost & pan

For our cameraman, I asked Ken Nishikawa who is a former BBC staff as well as director at TBS. Ken has worked on TV and film productions for just about every major TV station in Japan. He is a superb cameraman and brilliant artist. He also wrote the screenplay and is directing production for another Robot55 production entitled: Matsuchiyo – Life of a Geisha, which we will be going into serious production this spring. Here is the short trailer for that:

Finally, to put it all together, I needed actors who can actually perform and have a strong Rock and Roll image. Who better than one of Japan’s best rock and roll bands, “The Neatbeats”? Mr. Pan, lead singer of the Neatbeats, will play the part of our struggling musician. He is the hero, and failure, of our movie. He is the guy sitting on the right of the sofa in the photo above. The guy is just overflowing with Rock and Roll. He’s perfect!

Besides Mr. Pan, we also have several other famous Japanese rock stars acting in our movie. I am also in one scene acting as a guy who is drunk and almost dead from boredom. Here is that scene that was shot night before last on Jan. 26, 2015:

012615 camera set up

Robot55 movie shoot. On stage is the Privates. Table in front is Furukawa Taro and Tomomi Hiraiwa. Table behind (guy sleeping) is me, Mike Rogers (Brilliant acting, right?) Camera (far right) Enrico Ciccu (Director). Photo by Arai Osamu.

The editing for this film starts next week. As we progress, we will post updates. I may be acting dead in this photo, but I am going to die a happy man when this production is finished and it is world-quality and as good as anything Hollywood makes. It is one thing, a first of many, that all of us; Ken Nishikawa, Enrico Ciccu and me, have dreamt about all our lives.

Like the good doctor, said, “Don’t dream it. Be it.”

shoot 4 guys

Photo from the set of “A Japanese Rock & Roll Ghost Story” Left to right: Mike Rogers (sitting in front), Enrico Enrico Wtmm Ciccu (standing), Ken Nishikawa (kneeling in middle), Mr. Pan (sitting on sofa laughing). (photo by Osamu Arai)

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There is also a boom of English language videos and productions coming to Japan and Robot55 aims to be a key player in making viral videos for the foreign market that comes to Japan. Why not? We have people who live and work professionally in this market in TV and video production as well as guys who have made many commercials and smash hit (and cult) TV and radio shows.

I am confident that there is no other company in Japan who can touch us for that market; making viral videos in English for the foreigners coming to Japan for the Tokyo Olympics. There is a cult and cutlure boom coming to Japan in the next 5 years.