All posts in “広告動画”

神田祭のお写真第弐弾! / More photos from Kanda Festival 2015

人類の皆様こにゃにゃちわ、ROBOT55(ロボット・ゴー・ゴー)です!

Hullo, my dear human species! I is ROBOT55!

 

先日神田祭のお写真をこちらのブログで紹介させて頂きました!

We shared some fantastic pics from Kanda Festival, one of 3 great Shinto festivals of Japan, here last week.

 

予想外の大反響にお答えして、先週の神田祭より更に素敵なお写真をアップ致します〜♬

Due to insistent public demand, we decided to upload more photos from Kanda Festival for your viewing pleasure! Continue Reading…

7/22(水)コンピレーションアルバム“ニンジャスレイヤー フロムコンピレイシヨン『忍』”発売決定!

人類の皆様こにゃにゃちわ、ROBOT55(ロボット・ゴー・ゴー)です!

既にニコニコ生放送配信後僅か一週間で再生100万回を突破し、巷で話題の『ニンジャスレイヤー・フロムアニメイション』!

 

格安, ビデオ制作, 動画, 紹介動画, ROBOT55, ロボット・ゴー・ゴー, ビデオ編集, 動画制作, 格安ビデオ制作、

格安, ビデオ制作, 動画, 紹介動画, ROBOT55, ロボット・ゴー・ゴー, ビデオ編集, 動画制作, 格安ビデオ制作、

 

この番組の凄いのは毎回様々なアーティストが書き下ろしを中心とした楽曲をエンディング・テーマとして提供しているところ!

そして楽曲提供したアーティストが出演してお話を聞かせてくれるのがROBOT55が制作している『ザ・TVショウ』!

Boris、Melt Bananaといった伝説のバンドから、今をときめくThe Pinballs、更にハウス界の大御所、大沢伸一と鬼才が集まった文字通り奇跡のラインナップ! Continue Reading…

Thinking About Crowdfunding Your Project? A Few Questions You Need to Ask!

(Top: Photo of the shoot for the trailer for the Japanese Rock ‘N’ Roll Ghost Movie we are making…)

 

I am getting ready to launch a crowdfunding project for a movie. It’s an exciting time. As the time gets closer, and because I have ran a few Start-up companies, several questions have popped into my mind.

I’d like to share these questions with you, in order to help you, too, to run a successful Crowd-Funding campaign (if you ever think about doing that)… Or, at least ask some of the questions you need to ask so you don’t wind up with a problem later.

Until now, I have been involved with three Crowd-Funding projects; two for the “Children With Incurable Diseases” charity and one where I merely introduced a musician friend to a Crowd-funding site to help finance their next album. All three were “successful.”

And there’s the “rub.”

Let me explain; in the case of the children’s charity, we gathered money to donate to the charity and gave the people who contributed a magnet and stickers from our radio show. We didn’t create anything for anyone so there was no obligation from us after the funding campaign ended excepting to send out the gifts to participants. It was Crowd-Funding just to get donations for the children with incurable diseases and their families. I think we gathered 3 or 4 thousand dollars and donated it to the charity. Since there was no further obligation from us, it was simple.

Even if we had only gathered $50, it would have been “successful.” We only donated magnets and stickers that we gave away for free anyway to promote our radio show.

Early days of Crowd-Funding in Japan: Radio Show Crowd-Funding for Children With Incurable Diseases Charity

Early days of Crowd-Funding in Japan: Radio Show Crowd-Funding for Children With Incurable Diseases Charity. I ran the funding alongside my radio show and one of the biggest newspapers in Japan ran a feature on us. (Photo, left to right: Furukawa Taro, Me, George Williams.)

 

I understand my musician friend did well and finished their album. I merely introduced them to the Crowd-Funding site, so I am not aware of problems with payments, returning gifts to participants and the rest. But the musician finished the recording and the album, so I guess they were happy.

For my up-coming project, things are quite different and questions need to be asked.

For those of us doing Crowd-Funding for projects, I think a problem might come in that folks think the Crowd-Funding is for funding the project, and the project itself is a separate issue. I believe this kind of thinking is a big mistake; the Crowd-Funding must be considered as the financial issue involved with the project so it is at least 1/2 as important as how the finished project comes out.

Let me explain further; I have calculated that my movie project will require at least $60,000 (USD) to finance. Anything over that will go to making a more “gorgeous” film. Anything under $60,000 and I can’t make the film. This is a critical point.

All the Crowd-Funding companies have slightly different terms and conditions. It’s hard to navigate the ins and outs that set one apart from another. Rules vary from company to company and from nation to nation! So Caveat emptor (let the buyer beware!)…

After shopping around, I have had several meetings with the staff of the Crowd-funding company I plan to use and, from these meetings, I have figured out a few things that you (and I) need to know and questions we need to ask before we start any Crowd-Funding campaigns.

At my second meeting with the Crowd-Funding company, I told them that I needed $60,000. But they said that we should “‘Lower the target’ to $10,000 so we can have a ‘successful campaign’ no matter what.” This sounded good at the time, but the more I thought about it, the more I realized why this is a huge mistake and, if your project definitely needs “X” amount, you have to stick to your guns and make your target the same.

Why?

The Crowd-Funding company gets paid on all “Successful Projects.” So, if the target is set at $10,000, and we get $10,000, then it’s successful for them and they get their 20% margin no matter what. This is smart from their company point-of-view because they can get $2000 for their efforts even if we fail miserably to get the money we need to make MY project.

This is a huge problem.

Like I said, I need $60,000 to finish my film. If I get only $10,000, then I can’t make my film. Not only that, but I am out $2000 to the Crowd-Funding site and I then I have to return the $10,000 to the participants; I’m out $2,000 (or $12,000 – depending on how you look at it). So I cannot agree to any “Success Amount” under about $80,000 (because the Crowd-Funding site takes a 20% margin!)

This is what I need: $80,000 – 20% ($16,000) = $64,000. Anything else is a failure. If I make my success amount $10,000 and get only, say, $50,000, then I’m really screwed because the Crowd-Funding company would take their 20% margin ($10,000) but I’d be in a position where I’d either have to pay everyone back (and be out the $10,000) or I have to cough up the money myself or take out a loan somewhere!

No thanks!

If I make the “Success Target” anything under what I need (about $80,000), then I am out 20% to the Crowd-Funding site, and I may not be able to finish my project, so I’ll have to return all the money; not make my film and have to pay the Crowd-Funding company anyway.

That’s a huge risk that I just cannot take.

A “Successful Crowd-funding Project” must meet the amount I need to finish my project, not an arbitrary amount so that, the Crowd-Funding site gets their 20%.

Like I said, I’ve ran Start-Up companies so I understand the rationale as to why the Crowd-Funding sites would want to lower the “Success Target” (they get their 20% no matter what)… But it puts me and my project into a dangerous risk position.

This is the biggest fundamental issue that I can see with Crowd-Funding that, if you are thinking about launching a project, then you need to think about deeply. Crowd-Funding is a relatively new idea to raise money, and I like it. But I can see lots of trouble down the road for folks who set up their Crowd-Funding projects in a financially disadvantageous manner.

Please think about this issue carefully.

Other big questions that I think you need to clear before deciding on any Crowd-Funding company:

1) In the margin from ‘sales’ that the Crowd-Funding company takes, are the credit card charges included? Or are you responsible for another 5% (or more) for the credit card charges too? And what about “returns”?

2) What are your responsibilities for any projects that fail to be completed? In my case, I have a bunch of rock stars in my movie. What if one of them, or the main actor, does a “James Dean” and gets himself killed in a car accident? (Yes, yes. I know that’s why we have car insurance, etc…. But how practical is that that an insurance company would allow me to insure a musician because he’s in my Indies movie? Probably not too likely.)

3) How is the money disbursed from the Crowd-Funding company after the Crowd-Funding campaign is over?

3a) Do they pay you a lump sum before the project is finished? Or, do they offer a “loan” (with interest) to me until the project is completed? (If I were the Crowd-Funding company, I’d definitely do this loan business too!)… But, as the guy who ran the campaign, I doubt that I’d take out a loan on my money that was sent to me for my project and go into debt. I started the Crowd-Funding so I wouldn’t have to take on debt in the first place, right?

3b) If the Crowd-Funding company does 3a (above), then I would seriously consider making my own unique webpage and running my own Crowd-Funding project and keep the 20% (My friends, A.J. Vivani and Sean Springer did so here: http://www.unclesamtamovie.com/#!support-the-film/c1met)

4) Does the Crowd-Funding offer an easy to use list of everyone who donated money and their addresses, etc. (This is obvious, but you’d better ask. The first Crowd-Funding I did for the children’s charity did not offer an easy to use system so this drove me crazy!)

Well, these are all the main issues I have at this moment. I will write more as I dive deeper into this project.

Or, I might not. Today, in 2.5 hours, I have a meeting with the Crowd-Funding people and if we can’t work out details to make sure that I don’t lose sleep over night about this Crowd-Funding, then it isn’t going to happen this time… But, maybe next time it will.

Will write more about it again soon.

*If anyone else out there has had any experiences with Crowd-Funding, good or bad, please let us know in the comments section! Thanks!

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At Robot55 we make video productions for businesses and services and products, but we also pride ourselves on making videos for art and music. Our starting price is ¥70,000 and we are sure we can work out something that fits your budget. Oh, and we love making band videos too! Contact us! contact@robot55.jp

ROBOT55 はビジネス、商業、製品紹介動画の制作のみならず、アートや音楽の映像も創っております。ビジネス動画においてはウェブ動画時代の到来に合わせ、お求めや すい¥70,000という格安価格より承ります。ご予算に応じて皆様にご満足のいく高品質動画を制作致します。勿論インディー・バンド向けPV制作も行っ ております。よ!

コチラよりお気軽にお問い合わせ下さいませ♬

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神田祭に行ってきたよ! / Kanda Festival 2015

人類の皆様こにゃにゃちわ、ROBOT55(ロボット・ゴー・ゴー)です!

Hullo, my dear human species! I is ROBOT55!

 

先週末、山王祭、深川祭と並んで江戸三大祭、或いは京都祇園祭、大阪天神祭と並んで日本三大祭に数えられている神田祭に行ってきました!

Last weekend, I joined what is considered to be one of the three great Shinto festivals of Tokyo, along with the Fukagawa Matsuri and Sanno Matsuri, or some might even say one of the three great Shinto festivals of Japan, along with Gion Matsuri in Kyoto and Tenjin Matsuri in Osaka, the Kanda Matsuri!

ROBOT55_Kanda_Matsuri_7

神田明神(創建伝天平2年)/ Kanda Shrine, founded in 730 AD

 

ROBOT55_Kanda_Matsuri_1

関ヶ原の合戦の戦勝祈祷から始まったとされるこの祭の熱気は400年以上経った21世紀 の今日も健在しております!

Started as a prayer for victory in the battle of Sekigahara, the decisive battle that changed the course of Japan’s destiny in 1600, Kanda Matsuri’s energy is still as present as ever after 400 years!

ROBOT55_Kanda_Matsuri_3

出陣寸前の神田鍛冶町弐丁目の神輿と山車 / Kanda Kaji-cyo 2-cyome’s Mikochi & float marching

ROBOT55_Kanda_Matsuri_2

老いも若きも神田祭を楽しんでおりました。祭って本当に良いですね〜♬

Matsuri is fun for both young and old, girls & boys – kind of rare for what is essentially a religious ceremony!

ROBOT55_Kanda_Matsuri_5

ROBOT55_Kanda_Matsuri_4

神田明神における宮入りと並んで圧巻なのはハイテク家電が並ぶオタクの聖地、秋葉原電気街を練り歩く古風な祭行列のコントラスト。現代日本の文化スペクトラムの両極が見事に共存する絵面です。

Besides miyairi, the ritual to return the demi-god from mikoshi, the small mobile shrine, to the main Kanda shrine,  the most spectacle part of Kanda matsuri is when centuries-old mikoshis march through the street of Akiabara, the world-famous post-modern electric/electronic town as well as the otaku-pop-culture’s major breeding ground – nothing sums up the both ends of Japan’s cultural spectrum better.

ROBOT55_Kanda_Matsuri_9

ROBOT55_Kanda_Matsuri_8

お祭りは我々の住んでいるほぼ全ての地域で催されております。地下足袋(最近はエアー足袋なる便利なものもありますが)と法被を羽織って神輿を担いでみると結構楽しいですよ!皆で汗をかいて、ビール飲んで、大声出して!一生忘れられない経験、っていうかクセになるかもしれません♬

Matsuri is held everywhere in Japan between late spring and late Autumn. As it is fundamentally a Shinto ceremony to thank Gods for harvest, Autumn being the most popular time. Kanda matsuri is a major tourist-attraction for both local and international tourists. However, it’s even more fun to participate and carry the little mobile shrine yourself. People are usually very friendly and often provide you with free booze! Can be the experience of a lifetime!

ROBOT55_Kanda_Matsuri_10

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ROBOT55はビジネス、商業、製品紹介動画の制作のみならず、アートや音楽の映像も創っております。ビジネス動画においてはウェブ動画時代の到来に合わせ、お求めやすい¥70,000という格安価格より承ります。ご予算に応じて皆様にご満足のいく高品質動画を制作致します。勿論インディー・バンド向けPV制作も行っております。よ!

 

コチラよりお気軽にお問い合わせ下さいませ♬

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格安, ビデオ制作, ロボット・ゴー・ゴー, ビデオ編集, レストラン, 動画, 紹介動画, 動画制作, 格安ビデオ制作、ROBOT55, 撮影, 格安, ビジネスビデオ制作,  ロボット・ゴー・ゴー, ビデオ, 東京, 撮影, 格安,

「ニンジャスレイヤーアニメーション」&「ザ・TVショウ」の視聴数が100万突破 (English Below)

Kadokawa, once of Japan’s biggest publishers has sent out a press release. They are extremely pleased to announce that more than one million people in Japan watched the debut show of “Ninja Slayer From Animation” and “The TV Show in the first week. “The TV Show” is the program that introduces the rock artists who perform the opening and ending themes for the animation. It is the show that we produce and that I created along with Ken Nishikawa and Motoyoshi Tai. The show is hosted by Furukawa Taro and Mina Shirakawa.

I thank the staff and everyone involved and especially the fans for the support. Thank you all so very much!

角川からのプレス発表が出ました!

「ニンジャスレイヤーアニメーション」&「ザ・TVショウ」見てくれたみなさんどうもありがとう。まだの方はニコニコ動画で是非御覧下さい!

『ニンジャスレイヤー』(発行元:株式会社KADOKAWA)はTwitter発のサイバーパンクニンジャ活劇です。アニメーション制作は 『キルラキル』を手掛けたTRIGGERが担当することで多くの注目を集めております。

4月16日(木)より配信を開始した『ニンジャスレイヤー フロムアニメイシヨン』。

第2話の配信を直前に控えた本日、ニコニコ生放送とニコニコチャンネルでの視聴数の合計が100万を突破いたしました。

Thank you so much!

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At Robot55 we make video productions for businesses and services and products, but we also pride ourselves on making videos for art and music. Our starting price is ¥70,000 and we are sure we can work out something that fits your budget. Oh, and we love making band videos too! Contact us! contact@robot55.jp

ROBOT55はビジネス、商業、製品紹介動画の制作のみならず、アートや音楽の映像も創っております。ビジネス動画においてはウェブ動画時代の到来に合わせ、お求めやすい¥70,000という格安価格より承ります。ご予算に応じて皆様にご満足のいく高品質動画を制作致します。勿論インディー・バンド向けPV制作も行っております。よ!

コチラよりお気軽にお問い合わせ下さいませ♬

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格安, 格安ビデオ制作、撮影, 格安, ビジネスビデオ制作,  ロボット・ゴー・ゴー, ビデオ, 東京, 撮影, 格安, ロボット・ゴー・ゴー, ビデオ編集, 動画制作, ビデオ制作, 動画, 紹介動画, ROBOT55,

 

Ninja Slayer From Animation 「The TV Show」Staff Party!

Ok. We had a drinking party with the staff of “Ninja Slayer From Animation.” we make the video production of “The TV Show.”

We love making the video production of the TV Show. It is our dream come true. More than one million people watched the first episode of our show, and for that, we are grateful. Thanks so much!

The Ninja Slayer Press Release from the first week. More than 1 million people tuned in to watch the first week's show! Thanks so much!

The Ninja Slayer Press Release from the first week. More than 1 million people tuned in to watch the first week’s show! Thanks so much!

You can watch “The TV Show” along with “Ninja Slayer” on Niconico Douga every Thursday Night (Japan time) of Nico Nico Live! Here’s the trailer for the TV Show:

Here’s the trailer for Ninja Slayer From Animation!

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At Robot55 we make video productions for businesses and services and products, but we also pride ourselves on making videos for art and music. Our starting price is ¥70,000 and we are sure we can work out something that fits your budget. Oh, and we love making band videos too! Contact us! contact@robot55.jp

ROBOT55はビジネス、商業、製品紹介動画の制作のみならず、アートや音楽の映像も創っております。ビジネス動画においてはウェブ動画時代の到来に合わせ、お求めやすい¥70,000という格安価格より承ります。ご予算に応じて皆様にご満足のいく高品質動画を制作致します。勿論インディー・バンド向けPV制作も行っております。よ!

コチラよりお気軽にお問い合わせ下さいませ♬

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格安, ビデオ制作, 動画, 紹介動画, ROBOT55, ロボット・ゴー・ゴー, ビデオ編集, 動画制作, 格安ビデオ制作、撮影, 格安, ビジネスビデオ制作,  ロボット・ゴー・ゴー, ビデオ, 東京, 撮影, 格安,

 

Data on Young People in Japan Show Extremely Difficult Times Coming for Old Media

The title of this post is misleading. It says, “Data on Young People in Japan Show Extremely Difficult Times Coming for Old Media.” That’s wrong; those hard times are already here. Have been for a while. It’s not going to get better, either.

I’ve written before about how the Digital Age would destroy TV. Today I met the president of one of the (if not the) largest internet companies in Japan, and he quite-as-a-matter-of-fact said, “TV and radio have no future.”

The data isn’t good for old media. When people under 25 don’t care about you, barring some sort of miracle, you don’t have a good future.

It’s that simple.

The data is shocking: young Japanese people today have a smart phone or iPad, PC or whatever in their bedrooms. But they don’t have a TV or radio in that same room.

I was shown data at another company that makes content for TV as well as other online platforms; they have seen the writing on the wall and are moving into digital rights management and programming for the internet. The survey I was shown was of people 13 to under 29 and it showed that only 11% had a TV in their bedroom; 6% had a radio (those must all be people over 25). But over 97% had a smart device or PC.

The Japanese youth market obsession with smart devices has even hurt automobile sales in Japan as the Wall Street Journal reports: “Reasons [for the drop in sales of automobiles] include higher gasoline prices and Japan’s graying population. But even more worrying to auto makers are signs that the downturn is part of a deeper generational shift among young Japanese consumers. Unlike their parents’ generation, which viewed cars as the passport to freedom and higher social status, the Internet-connected Japanese youths today look to cars with indifference, according to market research by the Japan Automobile Manufacturers Association and Nissan. Having grown up with the Internet, they no longer depend on a car for shopping, entertainment and socializing and prefer to spend their money in other ways.”

Give you one guess which devices occupies the vast majority of these people’s free time? Cars or smart devices? Oh, and by the way, one of the places that people most commonly listen to the FM radio is in cars… But young people are not buying those? Double Whammy!

Now you know why Japan’s Niconico Douga gets 5 million viewers for some shows and young people do not watch TV or listen to the radio anymore… The smart device is under their pillow or in their hands all the time.

Do you remember the Ramones song, “Rock N Roll Radio”? I remember it well. The lyrics went like this:

“Do you remember lying in bed, with the covers up over your head, the radio playing so no one can see?”

In 10 years, it’s going to say, “Do you remember lying in bed, with the covers up over your head, Smart Phone playing so no one can see?”

By they way, Niconico Douga is the #8 most popular internet page in Japan, above both Twitter and Facebook… Facebook is #9 and Twitter has dropped in these last few weeks to #11.

Tech site, The Bridge writes: “Niconico Douga quietly first emerged back in December of 2006… Since then, the site has offered many unique features to its users, successfully accumulating over 30 million users as of 2012. That averages out to a whopping 440,000 new users per month. The user demographic is mostly male (with 67% men and 33% women) and most of the active users are in the 20-29 age range (about 42%). There have been over 8.7 million videos uploaded to the site in total.

In general, the site is sort of perceived as a place for otaku who typically prefer anonymous communication. However since the launch of live streaming videos, people in the mainstream have also joined the site, including but not limited to politicians, idol groups, and music bands. Currently there are almost 100 official channels that live stream content on the site. What’s interesting is that Niconico Douga allows users to sign up using Facebook credentials, and that of course requires your real name. This may have been influenced by Ustream, which uses Twitter and Facebook for sign-in.”

Wikipedia states: “As of October 31, 2011, Niconico has over 23,690,000 registered users, 6,870,000 mobile users and 1,390,000 premium users.”

This isn’t really rocket science, folks. These facts and data do not bode well for TV or FM radio at all.

Did you also know that all smart phones have a FM radio chip built in on them but the makers do not turn it on because they have determined that there is not enough demand for FM radio? Did you know that all Japanese car manufacturers stopped putting FM radios in car as a standard item in 2010?

The writing is on the wall for FM radio. TV will take longer to collapse as Japan has an aging society and those folks watch TV.

So, TV will survive much longer, but it still has a demographic that is not good for future growth. In Japan, the elderly have surpassed the younger age group since 1997.”

Jeez! Rock and Roll Radio by the Ramones came out in 1980? That’s 35 years ago!!!??? Maybe Rock and Roll never ends, but Rock N Roll FM radio doesn’t look like it can make it.

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Finally, this isn’t just a trend in Japan, it’s worldwide and occurring in so-called “wealthy nations.” Here’s information from the New York Times: “Over the last 10 years, the average share of Americans listening to radio at any given time has shrunk about 14 percent, or 2.3 percentage points. Teenagers account for a well-recognized chunk of that decline. But Larry Rosin, a radio consultant with Edison Media Research in Somerville, N.J., points out that college graduates are also far less likely to listen to radio than nongraduates, a gap that has widened with time.”

What conclusion can we come to with this information in hand?

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At Robot55 we make video productions for businesses and services and products, but we also pride ourselves on making videos for art and music. Our starting price is ¥70,000 and we are sure we can work out something that fits your budget. Oh, and we love making band videos too! Contact us! contact@robot55.jp

ROBOT55はビジネス、商業、製品紹介動画の制作のみならず、アートや音楽の映像も創っております。ビジネス動画においてはウェブ動画時代の到来に合わせ、お求めやすい¥70,000という格安価格より承ります。ご予算に応じて皆様にご満足のいく高品質動画を制作致します。勿論インディー・バンド向けPV制作も行っております。よ!

コチラよりお気軽にお問い合わせ下さいませ♬

————————-

格安, ビデオ制作, 動画, 紹介動画, ROBOT55, ロボット・ゴー・ゴー, ビデオ編集, 動画制作, 格安ビデオ制作、撮影, 格安, ビジネスビデオ制作,  ロボット・ゴー・ゴー, ビデオ, 東京, 撮影, 格安,

 

ROBOT55がPV制作したSu凸ko D凹koiが東京ウォーカーで紹介されたど!

人類の皆様ご機嫌麗しゅう!ROBOT55(ロボット・ゴー・ゴー)です!

 

ROBOT55が3ピース・ガール・ロック・バンド、Su凸ko D凹koi(すっとこどっこい)の名曲「ブス」のPVを制作させて頂いた事にかんしてはもう既にこの場でご報告済みなのでご存知の方々も多いかと思います!

 

『ブス』 / Su凸ko D凹koi – 哭ける!名曲!

 

昨年もヒャダインX綾小路翔のテレビ番組『musicるTV第1回日本もし売れ大賞』の歌詞賞を見事受賞していましたが、今年に入ってからも多くのFM局で彼女たちの音楽がオンエアされたりして現在人気急上昇中のSu凸ko D凹koi。

今度は先日発売された東京ウォーカーのCDレビューで1stミニアルバム『一寸先は闇』が紹介されております!Rock ‘n’ Roll! Continue Reading…

This Week’s Top 3 Videos & Su凸ko D凹koi (May 4, 2015)

It’s time once again for this week’s Top 3 Videos. The Top New Artist Videos for the week of May 4, 2015. From a few weeks ago, I’ve been asking artists to send in submissions and I have been getting a lot. Thanks. Remember that if you hit this Top 3 Videos list, you also automatically get aired on my extremely popular morning show in Japan. WTF? (What the Funday). So send ’em in. (Please “Like” our radio show FB page: https://www.facebook.com/WhattheFunday76.1?ref=hl)

I’ve been getting so many that I am thinking about making the Top 3 Videos twice a week; the weekday edition and then a new weekend edition, so keep sending in those Top 3 videos!

First up is Peter118. Peter118 is a guy from the UK named Peter Field. He used to be a bass player  in the punk rock band ‘senseless’ and has been in punk rock for 10 years.

#3) Peter118 – “Break ‘Em Out” https://www.youtube.com/watch?v=82iG5HDHfa0

It’s now the Golden Week holidays in Japan so the entire country has come to a grinding halt. Well, so will you when you watch this next video. It’s Freak Show time folks! This next band are a bunch of guys from Hawaii including their lead vocalist, a crazy mo-fo named Robbie Quine, and the band name is the Barbarellatones. It is rumored that Robbie won the Miss Hawaii championship only to be disqualified because he was a half. Half what? I’m not sure. I think he might be half space alien and half meatloaf. But don’t let me influence you, watch the video and decide for yourself. (Warning: This video might not be safe for work, watching in front of your mother, or anywhere near “normal people.” If there is ANY RISK AT ALL OF RAISED EYEBROWS DO NOT CLICK ON THE VIDEO BELOW! YOU HAVE BEEN WARNED!)

#2) The Barbarellatones, Get Your Freak On https://www.youtube.com/watch?v=cPeSddm0njs

Keeping up the Freak Show theme, next up is a wild new group called, Du Blonde. Here’s what their Facebook says:

Beth Jeans Houghton was born in Transylvania to a pack of albino wolves who raised her on chewing tobacco and stuffed clams. Despite they’re hospitality, love conquers all and she soon eloped to scotch corner with her shiny new stallion peter Andre. Beth was his mysterious girl for as long as she could be, but sadly he yearned for bigger baps. taking the wrong end of his tanned stick she searched up and down the Parisian market stalls for the biggest loaf’s she could find, but alas, when she returned home, he was gone. He is currently residing somewhere in the vicinity Jordan’s breasts. Beth was gutted……Until one day, she was on a family holiday with her albino wolves in Buttermere in the Lake District. (Read more here: https://www.facebook.com/DuBlondeOfficial/info?tab=page_info)

This band is hot!

#1) Du Blonde – Black Flag https://www.youtube.com/watch?v=MoZrQrgwtB4

Finally, it’s time for today’s freebie. I’ve written about this three girl band before. Their name is Su凸ko-D凹koi (Su Ko D Koi). I saw them at rehearsal a few months back and liked them so much, we decided to make their promotion video. Here is that video!

This is the second time they are on the Top 3 Videos countdown. Today, they appear again because they were written up in a magazine called, Tokyo Walker.

Su Ko D Koi in Tokyo Walker - Su Ko D Koi in Tokyo Walker

Su Ko D Koi in Tokyo Walker – Su Ko D Koi in Tokyo Walker

Tokyo Walker is, by far, the biggest and most influential “Places to go and things to do” magazine in all of Tokyo (Gee, that’s well over 35 million households too!). I guess the people who write for Tokyo Walker saw the video we made of the girls (as well as hearing them on the radio) and liked it so much, they included the girl’s in this week’s issue in the CD Review section. Waaaaay cool!

She sings,

“Ugly, ugly, ugly, ugly…. I know I am ugly….

But, I got a boyfriend and we have been going out.

But one day, out of the blue, he hit me for no reason.

I woke up in the hospital and he had his head in his hands.

Then he was gone….

But, I finally was able to realize that finally, he treated me like a woman!

I was happy!”

Once again, this song’s lyrics are sort of like that old Crystals song, “He Hit Me and it Felt Like a Kiss.”

These girls are HOT! And they are happening now!

TOP 3 VIDEOS EXTRA! Su凸ko D凹koi – Ugly  https://www.youtube.com/watch?v=SE0s_D8G5hc

If you like these girls, go check out their Facebook page and “Like” it! Su凸ko D凹koi – すっとこどっこい https://www.facebook.com/pages/Su凸ko-D凹koi-すっとこどっこい/130909007016199?fref=ts

Well, that’s it for today… I’m expecting to start up the “Weekend Edition” of this countdown this Friday, Japan time, so, artists, send in your videos!

Have a great day!

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PAST ISSUES:

Top 3 Videos –  New Artist Videos for the week of April 27, 2015 robot55.jp/blog/top-3-videos-for-april-27-2015/

This Week’s Top 3 Videos (04/21/15) 〜 robot55.jp/blog/this-weeks-top-3-new-artist-videos-042115-〜ミュージックビデオも制作/

Top 3 Videos (04/14/15) http://robot55.jp/blog/this-weeks-top-3-new-artist-videos-041415/

This Week’s Top 3 New Artist Videos (04/07/15)  robot55.jp/blog/this-weeks-top-3-new-artist-videos-040715/

Top 3 New Artist Videos (03/31/15) robot55.jp/blog/top-3-new-artist-videos-033115-〜ミュージックビデオも制作/

Top 3 New Artist Videos (03/25/15) 〜ミュージックビデオも制作 http://robot55.jp/blog/top-3-new-artist-videos-032515/

Top 3 Videos (03/17/15) 〜ミュージックビデオも制作 robot55.jp/blog/this-weeks-top-3-new-artist-videos-031715-〜ミュージックビデオも制作/

Top 3 for the week of March 12, 2015 here: This Week’s Top 3 New Artist Videos #2 & the Sex Pistols’ Glen Matlock! 〜ミュージックビデオも制作 (http://bit.ly/1Br0f66)

Top 3 for the week of March 5, 2015 here: This Week’s Top 3 New Artist Videos & Shonen Knife!〜ミュージックビデオも制作 (robot55.jp/blog/this-weeks-top-3-new-artist-videos-shonen-knife/)

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At Robot55 we make video productions for businesses and services and products, but we also pride ourselves on making videos for art and music. Our starting price is ¥70,000 and we are sure we can work out something that fits your budget. Oh, and we love making band videos too! Contact us! contact@robot55.jp

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ROBOT55 格安動画講座 – 上手な動画撮影のコツ 其の七 – 音楽を上手に使おう!

人類の皆様、ご機嫌麗しゅう!ROBOT55(ロボット・ゴー・ゴー)です!

 

ちょっとご無沙汰しておりましたこのコーナー。「志は高いが予算は低い」方々がスマホを使ってDIYでウェブ動画、特にお店・商品紹介動画やビジネス動画を制作する上で、少しでもお役に立てればとROBOT55が不定期に行なっているのがこの「上手な動画撮影のコツ」シリーズ♬

 

動画のムードを決めるのは何といってもBGM。音楽と映像が完璧に調和している作品を観るととても気持ちいいデスよね。 Continue Reading…