All posts in “Neatbeats”

Thinking About Crowdfunding Your Project? A Few Questions You Need to Ask!

(Top: Photo of the shoot for the trailer for the Japanese Rock ‘N’ Roll Ghost Movie we are making…)

 

I am getting ready to launch a crowdfunding project for a movie. It’s an exciting time. As the time gets closer, and because I have ran a few Start-up companies, several questions have popped into my mind.

I’d like to share these questions with you, in order to help you, too, to run a successful Crowd-Funding campaign (if you ever think about doing that)… Or, at least ask some of the questions you need to ask so you don’t wind up with a problem later.

Until now, I have been involved with three Crowd-Funding projects; two for the “Children With Incurable Diseases” charity and one where I merely introduced a musician friend to a Crowd-funding site to help finance their next album. All three were “successful.”

And there’s the “rub.”

Let me explain; in the case of the children’s charity, we gathered money to donate to the charity and gave the people who contributed a magnet and stickers from our radio show. We didn’t create anything for anyone so there was no obligation from us after the funding campaign ended excepting to send out the gifts to participants. It was Crowd-Funding just to get donations for the children with incurable diseases and their families. I think we gathered 3 or 4 thousand dollars and donated it to the charity. Since there was no further obligation from us, it was simple.

Even if we had only gathered $50, it would have been “successful.” We only donated magnets and stickers that we gave away for free anyway to promote our radio show.

Early days of Crowd-Funding in Japan: Radio Show Crowd-Funding for Children With Incurable Diseases Charity

Early days of Crowd-Funding in Japan: Radio Show Crowd-Funding for Children With Incurable Diseases Charity. I ran the funding alongside my radio show and one of the biggest newspapers in Japan ran a feature on us. (Photo, left to right: Furukawa Taro, Me, George Williams.)

 

I understand my musician friend did well and finished their album. I merely introduced them to the Crowd-Funding site, so I am not aware of problems with payments, returning gifts to participants and the rest. But the musician finished the recording and the album, so I guess they were happy.

For my up-coming project, things are quite different and questions need to be asked.

For those of us doing Crowd-Funding for projects, I think a problem might come in that folks think the Crowd-Funding is for funding the project, and the project itself is a separate issue. I believe this kind of thinking is a big mistake; the Crowd-Funding must be considered as the financial issue involved with the project so it is at least 1/2 as important as how the finished project comes out.

Let me explain further; I have calculated that my movie project will require at least $60,000 (USD) to finance. Anything over that will go to making a more “gorgeous” film. Anything under $60,000 and I can’t make the film. This is a critical point.

All the Crowd-Funding companies have slightly different terms and conditions. It’s hard to navigate the ins and outs that set one apart from another. Rules vary from company to company and from nation to nation! So Caveat emptor (let the buyer beware!)…

After shopping around, I have had several meetings with the staff of the Crowd-funding company I plan to use and, from these meetings, I have figured out a few things that you (and I) need to know and questions we need to ask before we start any Crowd-Funding campaigns.

At my second meeting with the Crowd-Funding company, I told them that I needed $60,000. But they said that we should “‘Lower the target’ to $10,000 so we can have a ‘successful campaign’ no matter what.” This sounded good at the time, but the more I thought about it, the more I realized why this is a huge mistake and, if your project definitely needs “X” amount, you have to stick to your guns and make your target the same.

Why?

The Crowd-Funding company gets paid on all “Successful Projects.” So, if the target is set at $10,000, and we get $10,000, then it’s successful for them and they get their 20% margin no matter what. This is smart from their company point-of-view because they can get $2000 for their efforts even if we fail miserably to get the money we need to make MY project.

This is a huge problem.

Like I said, I need $60,000 to finish my film. If I get only $10,000, then I can’t make my film. Not only that, but I am out $2000 to the Crowd-Funding site and I then I have to return the $10,000 to the participants; I’m out $2,000 (or $12,000 – depending on how you look at it). So I cannot agree to any “Success Amount” under about $80,000 (because the Crowd-Funding site takes a 20% margin!)

This is what I need: $80,000 – 20% ($16,000) = $64,000. Anything else is a failure. If I make my success amount $10,000 and get only, say, $50,000, then I’m really screwed because the Crowd-Funding company would take their 20% margin ($10,000) but I’d be in a position where I’d either have to pay everyone back (and be out the $10,000) or I have to cough up the money myself or take out a loan somewhere!

No thanks!

If I make the “Success Target” anything under what I need (about $80,000), then I am out 20% to the Crowd-Funding site, and I may not be able to finish my project, so I’ll have to return all the money; not make my film and have to pay the Crowd-Funding company anyway.

That’s a huge risk that I just cannot take.

A “Successful Crowd-funding Project” must meet the amount I need to finish my project, not an arbitrary amount so that, the Crowd-Funding site gets their 20%.

Like I said, I’ve ran Start-Up companies so I understand the rationale as to why the Crowd-Funding sites would want to lower the “Success Target” (they get their 20% no matter what)… But it puts me and my project into a dangerous risk position.

This is the biggest fundamental issue that I can see with Crowd-Funding that, if you are thinking about launching a project, then you need to think about deeply. Crowd-Funding is a relatively new idea to raise money, and I like it. But I can see lots of trouble down the road for folks who set up their Crowd-Funding projects in a financially disadvantageous manner.

Please think about this issue carefully.

Other big questions that I think you need to clear before deciding on any Crowd-Funding company:

1) In the margin from ‘sales’ that the Crowd-Funding company takes, are the credit card charges included? Or are you responsible for another 5% (or more) for the credit card charges too? And what about “returns”?

2) What are your responsibilities for any projects that fail to be completed? In my case, I have a bunch of rock stars in my movie. What if one of them, or the main actor, does a “James Dean” and gets himself killed in a car accident? (Yes, yes. I know that’s why we have car insurance, etc…. But how practical is that that an insurance company would allow me to insure a musician because he’s in my Indies movie? Probably not too likely.)

3) How is the money disbursed from the Crowd-Funding company after the Crowd-Funding campaign is over?

3a) Do they pay you a lump sum before the project is finished? Or, do they offer a “loan” (with interest) to me until the project is completed? (If I were the Crowd-Funding company, I’d definitely do this loan business too!)… But, as the guy who ran the campaign, I doubt that I’d take out a loan on my money that was sent to me for my project and go into debt. I started the Crowd-Funding so I wouldn’t have to take on debt in the first place, right?

3b) If the Crowd-Funding company does 3a (above), then I would seriously consider making my own unique webpage and running my own Crowd-Funding project and keep the 20% (My friends, A.J. Vivani and Sean Springer did so here: http://www.unclesamtamovie.com/#!support-the-film/c1met)

4) Does the Crowd-Funding offer an easy to use list of everyone who donated money and their addresses, etc. (This is obvious, but you’d better ask. The first Crowd-Funding I did for the children’s charity did not offer an easy to use system so this drove me crazy!)

Well, these are all the main issues I have at this moment. I will write more as I dive deeper into this project.

Or, I might not. Today, in 2.5 hours, I have a meeting with the Crowd-Funding people and if we can’t work out details to make sure that I don’t lose sleep over night about this Crowd-Funding, then it isn’t going to happen this time… But, maybe next time it will.

Will write more about it again soon.

*If anyone else out there has had any experiences with Crowd-Funding, good or bad, please let us know in the comments section! Thanks!

————————-

At Robot55 we make video productions for businesses and services and products, but we also pride ourselves on making videos for art and music. Our starting price is ¥70,000 and we are sure we can work out something that fits your budget. Oh, and we love making band videos too! Contact us! contact@robot55.jp

ROBOT55 はビジネス、商業、製品紹介動画の制作のみならず、アートや音楽の映像も創っております。ビジネス動画においてはウェブ動画時代の到来に合わせ、お求めや すい¥70,000という格安価格より承ります。ご予算に応じて皆様にご満足のいく高品質動画を制作致します。勿論インディー・バンド向けPV制作も行っ ております。よ!

コチラよりお気軽にお問い合わせ下さいませ♬

————————-

ビデオ編集格安、ビデオ撮影格安、動画制作東京、格安ビデオ制作, 格安, ロボット・ゴー・ゴー,  格安, ビジネスビデオ制作, ロボット・ゴー・ゴー, 撮影, 格安, ビデオ制作, 動画, 紹介動画, ビデオ, 東京, 撮影,ビデオ編集, 動画制作, ROBOT55,

 

 

ROBOT55 格安動画講座 – 上手な動画撮影のコツ 其の七 – 音楽を上手に使おう!

人類の皆様、ご機嫌麗しゅう!ROBOT55(ロボット・ゴー・ゴー)です!

 

ちょっとご無沙汰しておりましたこのコーナー。「志は高いが予算は低い」方々がスマホを使ってDIYでウェブ動画、特にお店・商品紹介動画やビジネス動画を制作する上で、少しでもお役に立てればとROBOT55が不定期に行なっているのがこの「上手な動画撮影のコツ」シリーズ♬

 

動画のムードを決めるのは何といってもBGM。音楽と映像が完璧に調和している作品を観るととても気持ちいいデスよね。 Continue Reading…

The Privates, The Neatbeats and Me – DIY: The Beauty of Doing Things Yourself

Top photo: Left to right: Me (Mike Rogers – drunkard), Ken Nishikawa (fabulous cameraman), Tatsuji Nobuhara (Lead singer of The Privates)

———————-

Today, I’d like to write a bit on the beauty of doing things yourself. The so-called, “DIY” philosophy.

I like DIY for several reasons. Firstly, whatever one does, when they do it themselves, it truly is a reflection of themselves and their heart and soul. Secondly, it is not some concoction that was made by some professional who makes things for people in an office far away; it is “Real.” Thirdly, because it was made by the people who really do have a vested interest in their product or service, it is much cheaper. Fourthly, making something for someone – whether it be dinner, a birthday or Christmas present shows true love.

Making things DIY takes heart, a dream, sweat and practice. Is this any different from starting your own business, club, restaurant, band, music or any other project? When you do it DIY it is true love and shows your sincerity much better than anything one could buy at any store!

Staff poses for photo after DIY event in Tokyo on Jan. 26, 2015. That event holds the record for attendance at that club. Tatsuji Nobuhara is standing in the back with the aqua blue T-shirt. Immediately behind him is Ken Nishikawa. Mr. Pan is the guy standing in the back with the brown hat. I'm wearing the stupid Dodgers baseball cap. (Photo by Osamu Arai).

Staff poses for photo after DIY event in Tokyo on Jan. 26, 2015. That event holds the record for attendance at that club. Tatsuji Nobuhara is standing in the back with the aqua blue T-shirt. Immediately behind him is Ken Nishikawa. Mr. Pan is the guy standing in the back with the brown hat. I’m wearing the stupid Dodgers baseball cap. There are several other famous rock stars in the photo including the 50 Kaitenz. Can you spot them all? (Photo by Osamu Arai).

I have a few good friends that always do D.I.Y. and that really impresses me. Today I’d like to tell you about them.

Two of my good friends have been doing their rock bands as independent artists for decades. One is named “Mr. Pan,” he is the leader of the band, “The Neatbeats.” They’ve been doing the DIY thing for more than twenty years and are very successful at it. They are big in Europe. And why not? They are the easily described as “The Japanese Beatles!” Watch this video and see what I mean. These guys are hot. Of course, this is a DIY video:

I’m going to be writing about him and the Neatbeats quite a lot, I think, in the coming months. We are making a rock and roll ghost movie together. Read about that here: http://robot55.jp/blog/edit-the-movie-a-rock-n-roll-ghost-story/

One other friend, who will also be in the movie, is a guy named Tatsuji Nobuhara. “Nobu” is what everyone calls him. Nobu has been the lead singer and heart and soul of a rock band named “The Privates” who have been around for more than thirty years. How do I describe The Privates for a foreign audience? Perhaps a “Japanese Buzzcocks”? It’s a healthy comparison. See for yourself:

Thirty years of doing things independently and making a good living at it; it’s the true “Rock and Roll” dream – and everything they do is DIY. They manage themselves and do all their own booking. Not only do they have their Friday, Saturday, Sunday and holiday schedules booked up with performances around Japan, The Privates and the Neatbeats tour the world too!

I think these two bands are an inspiration to us all! Really. Can there be any better way to really live the true “Rock and Roll Dream”?

The Privates 2015 Tour poster test

The Privates 2015 Tour poster test

Yesterday, we had a meeting about the Japanese Rock and Roll Ghost Story movie we are making. After the meeting was over, I asked Nobu what his plans were for the evening. He told me that he was going to some office and was going to design his posters and T-shirts.

This morning, he sent me some photos of the stuff he is making.

The Privates 2015 Japan tour T-shirt

The Privates 2015 Japan tour T-shirt

Wow! I am impressed! This stuff is so cool!

And, like I said, it is “Real” and it is him. His idea, his sweat and his efforts. He is creating a legacy for himself that will last long after he has died and left this earth.

Isn’t that what it’s all about, my friends?

Don’t we all want to make something to leave a legacy for our children and our children’s children? I know I do.

How about you?

If you are running a business or club, why don’t you start making all your promotional posters and logos and designs yourself? And how about making a video for Youtube to promote your business? Hate to sound like I am a salesman, so I’m giving you free professional advice on how to do so below.

“But, Mike! I am not good at design and art!” That’s OK. Then, when you do ask a professional to make your work, instead of just handing it off to them to make for you? Why don’t you ask that they, instead, help you and give you guidance? Or, you make the poster or art and then give it to them and ask them to polish it up for you? Then when the finished work is given to you, you really can say, “I designed this.”

It will be a reflection of you and who you are.

—————————

At Robot55, we make videos for businesses and services. We can help you to create something that is the real you. This is why we always try to make the proprietors of every business to be in their own videos! People no longer want to see an actor or actress (who doesn’t use your product or service or isn’t your ‘fan’) telling them how great something is; it’s not “Real.” But you being in the video, now that “Real” and it’s sincere. Here’s one we made (it’s in Japanese) and we insisted the shop owner tell his own story. This is fabulous! The owners tell us that their business is booming!

If you want to make your own video, do it. Here’s some free advice from me on how you can make a great video for your project for absolutely free!

For free tips on making your own video:

6 Easy Tips For Making a Viral Video (http://robot55.jp/blog/6-easy-tips-for-making-a-viral-video/)

Video Tips! Make Your Own Video For Your Business For Free! Pt. 1 (www.robot55.jp/blog/video-tips-make-your-own-video-for-your-business-for-free-pt-1/)

Video Tips! Make Your Own Video For Your Business For Free! Part 2 (www.robot55.jp/blog/video-tips-make-your-own-video-for-your-business-for-free-part-2/)

Make Your Own Video For Your Business For Free! Part 3 – You Need a Map: How to Write a Script! (http://robot55.jp/blog/make-your-own-video-for-your-business-for-free-part-3-you-need-a-map-how-to-write-a-script/)

Video Tips! Make Your Own Video For Your Business For Free! Pt. 4((www.robot55.jp/blog/video-tips-make-your-own-video-for-your-business-for-free-pt-4/)

If you need any help, you know where to reach us. We gladly give out free advice…. But we mostly want to help you to create your dream. Contact me! contact@robot55.jp

———————–

At Robot55 we make video productions for businesses and services and products, but we also pride ourselves on making videos for art and music. Our starting price is ¥70,000 and we are sure we can work out something that fits your budget. Oh, and we love making band videos too! Contact us! contact@robot55.jp

———————–

ROBOT55はビジネス、商業、製品紹介動画の制作のみならず、アートや音楽の映像も創っております。ビジネス動画においてはウェブ動画時代の到来に合わせ、お求めやすい¥70,000という格安価格より承ります。ご予算に応じて皆様にご満足のいく高品質動画を制作致します。勿論インディー・バンド向けPV制作も行っております。よ!

コチラよりお気軽にお問い合わせ下さいませ♬

————————-

格安, ビデオ制作, 動画, 紹介動画, 動画制作, 格安ビデオ制作、ROBOT55, 撮影, 格安, ビジネスビデオ制作,  ロボット・ゴー・ゴー, ビデオ, 東京, 撮影, 格安, ロボット・ゴー・ゴー, ビデオ編集, レストラン, ビデオ制作, 動画, 紹介動画,

Life is Short – Keep Learning! Day of Editing and Color Correction〜ビデオ編集講座カラーコレクション編

“Self-education is, I firmly believe, the only kind of education there is.” ― Isaac Asimov

“Anyone who stops learning is old, whether at twenty or eighty. Anyone who keeps learning stays young.” ― Henry Ford

“I’m unpredictable, I never know where I’m going until I get there, I’m so random, I’m always growing, learning, changing, I’m never the same person twice. But one thing you can be sure of about me; is I will always do exactly what I want to do.” ― C. JoyBell C.

—————————-

Yesterday was a great day editing our Japanese Rock N Roll Ghost Story movie. It was fun.

I felt happy because of two important things:

1) We were creating our dream. I mean, it was me, us, we. We were creating our dreams by making the effort. There was nothing stopping us from making what we wanted to create and, therefore becoming who we are destined to be.

2) We were learning. We were all learning a new skill and how to become better at our craftsmanship. We learn by doing; by being; by making the effort. Isn’t this the way to live a fulfilled and happy life?

Today? I woke up happy and feeling good. It’s nice to be nearly sixty-years-old and wake up in the morning feeling good and thinking, “Gee! I learned something totally new yesterday.” No matter how old we get, we must continually keep learning and expanding ourselves and our universe.

There are quotes at the top of this page by the famous, but in my own Hollywwod, the quote might be:

“Life happens to people.”

Folks, keep learning! Live life to the fullest.

Yesterday, we had a day of editing and color correction on the Japanese Rock N Roll Ghost Story movie. It was the first time to have ever used Da Vinci software for color correction. I had never seen the software before. I now know why all the big Hollywood movies use it.

I mentioned before that we had finished the initial stages of video production and the trailer now looks set to be of “Hollywood” quality. I am expecting the trailer to be ready for your viewing within two weeks of this posting.

I look forward to more video editing, shooting, and post production in the next few days. I hope you do too.

We will keep you posted.

mr. pan 012615Mr. Pan, lead vocalist and guitar of the Neatbeats. Mr. Pan is starring in the film. (Photo by Osamu Arai)

To read more about: A Japanese Rock & Roll Ghost Story – click here: www.robot55.jp/rock-roll-ghost-story/

Multi-Media Marketing Concept and Keeping a Theme

(Image at top: Movie shoot before Jan. 26, Shin Nen Kai “New Year’s Party” event.)

This post is about keeping a constant theme throughout a marketing campaign regardless of the media. It involves print media, FM radio, and Digital Signage.

 

We held our annual “Shin Nen kai” (Rock and Roll New Year’s Party) on Jan. 26, 2014 at Milky Way in Shibuya, in Tokyo. It was a wonderful event and was “sold out” months in advance. When all was said and done and the concert/party over, I was told by the manager of Milky Way that this night had set the record for attendance (and alcohol and drink sales) at his establishment.

Sold out months in advance and setting a record for attendance? A promoters dream come true.

From November of 2014, the concept for the entire concert/party was established. This was the event poster:

Jan. 26, 2015 at Shibuya Milky Way

Jan. 26, 2015 at Shibuya Milky Way

I designed the poster concept based on an old Motown poster that I had always liked. I thought the red and yellow tones fit the image of a New Year’s party in Japan. So we went with this.

In order to keep the concept consistent and marketing all on the same theme, I made a FM radio commercial that ran on the radio station from Mid-December 2014 until the morning of the actual event on Jan. 26, 2015.

Using the radio commercial as the sound base we also made a Youtube commercial for the event. It was a commercial in Japanese and English. For the images for the Youtube commercial, we simply imported the data from the poster created in Photoshop (and a few images from a former Digital Signage work) and made a “moving poster” as seen here:

The poster was created on Photoshop. A radio commercial for the radio station was created. Then the elements from the poster were layered over the radio commercial to create the “TV Ad” (Digital Signage).

In this way, we can make an effective advertising campaign with an easily recognizable and consistent theme… And we can do it for very low costs.

Was this a successful campaign and event bringing the station several months worth of promotion for dirt cheap? The venue was “sold out” a month in advance and we set the record for attendance at that establishment; people are still talking about it now…

If the proof is in the eating, then I guess that’s proof of a smash success.

Oh, by the way, why are people still talking about this event (and I suspect they will be talking about it for a very long time)? Because all of February, we are giving away 7 posters signed by all the band members along with an official backstage pass.

Signed Poster

Signed Poster

Want a poster? Send an email to: wtf@interfm.jp by Feb. 22, 2015.

*Of course, in fact, this blog post is a continuation of that promotion!

ROBOT55は新しいバンドを応援します!

ROBOT55設立前から僕たちは好きなバンドのPVを格安、場合によっては友達割引(=無料)で制作してきました。理由は簡単です – 僕らは音楽のおかげで素晴らしい人生を生きてこられたから、そして好きな音楽のために映像を作ることは僕たちにも幸せを与えてくれるからです。

食べていく為にはこのような活動以外の色々な事をやらなくてはいけないのは事実ですが、こうやって自分たちの心や魂にも栄養を与えてあげないといけませんよね。

「仕事の為」と割り切って心ときめかない事ばかり毎日やっていくには人生は短すぎます。「予定帳には載っていない一番確実な予定」である「死」はいつやってくるか分かりませんから。 Continue Reading…

Sex Pistols, Clash, Gen X, Sheila Rock and Why We Sometimes Make Videos for Free!

Today’s thoughts…I call this:  Sex Pistols, Clash, Gen X, Sheila Rock and Why We Sometimes Make Videos for Free!

Sometimes, my friend Ken and I make promotional music videos for young bands for free – no charge.

Why do we sometimes make rock band videos for free? That’s actually an easy question to answer. Both Ken and I have had a good life provided to us by music. Of course there is much more that we need to accomplish in our short time on this earth, but, until now, music has treated us well. I think we should keep doing work to live and eat (of course) but we also need to do things to nourish our heart, soul and mind.

The reason why I say that we should keep doing these sorts of things in our short time on this planet is because three things that happened to me in 2014:

1) I almost died in September. I wrote about that here in Near Death at the Hospital, Last Month! – Back in Humor, This Month! www.modernmarketingjapan.blogspot.jp/2014/11/where-did-i-go-to-hospital.html

2) I met Sheila Rock the world famous photographer. Sheila took many iconic photos of the SexPistols, the Clash and Generation X (plus a bunch of others that I can’t recall this early in the morning) back in the heyday of London Punk. Sheila told me that, in her youth, she never got paid to take those photos of the Clash, Sex Pistols, etc….She said she did it for fun and because she thought the subjects were “interesting.”

Mike, Sheila Rock (famous photographer) and Kato Madoka at Agnes B event

Mike, Sheila Rock (famous photographer) and Kato Madoka at Agnes B event

I told Sheila that my friend (Ken Nishikawa) and I often I make videos for young bands and don’t ask for money. Some notable ones were Shonen Knife, the Neatbeats, Glen Matlock (original bassist for the Sex Pistols), Bobby’s Bar, Moja, and so many more I can’t recall those either! (You can see several of them at the top of this page) I showed her some of them in the short time we had.

She seemed impressed. She’s a nice lady and a wonderful person.

She was very enthusiastic about us making those videos to help those people. I also told her the bit about how music has given us a wonderful life and, if we can, we wanna pay back and help some young people. Young people, who, if we don’t help them, they will never get a chance of ever having a video of their performance made; no matter if they are genius and talented musicians; luck plays a big part in everyone’s life.

If, after I die, if someone says, “I was lucky to meet Mike Rogers” (or Ken, or Ayumi, or?) then I will be one more person happier.

Sheila really complimented and supported us with her words. She said, “When I took those photos way back when, I never realized what sort of legacy I was recording and the legacy I was leaving for myself. It took many years later, when we went back and looked and saw all these photos I had taken…. It is my statement and reason for life….. Tell your friend that I said to ‘keep it up.'”

3) I think we all must keep making something everyday if we can; something new, fresh, fun and also for posterity’s sake….

We all do what we do to live but I think we also should try do what we do for ourselves and our legacy; “Posterity’s Sake” is a good thing. Let’s live to make something that people will remember you by. Even if you never become famous for it, but just because it is good and is makes someone happy.

Do it for yourself and do it for your loved ones.

Mike Rogers (Photo by Sheila Rock)

Mike Rogers (Photo by Sheila Rock)

OK! There’s three things that Johnny Rotten and I have in common: 1) We are in a photo together at the top of this page; 2) We both have been in punk bands; 3) Both of us have had their photo taken by Sheila Rock…. Thanks Sheila! You are Tops!

——————–

There’s an old saying about regrets:

“Your regrets in life aren’t what you did, but what you didn’t do when you had the chance.” – Anonymous

———————

MORE! Like our Robot55 Mission Statement:

“We make wonderful productions; for a profit if we can, at a loss if we must. But no matter what, we make wonderful productions.”

As for me, every time I go do a shoot or edit with our team and some of the world-class professionals we work with, I learn something. I learn something on how to become a better artist and craftsman and I learn something about myself.

If we all can remember this everyday of our lives, then I think it helps us to become better. I really do.

I also believe in the Law of Attraction and know that if we keep our eye on it, then we will find those who will support us financially and spiritually.

————————

We’d like to let folks know who we are and what we do at Robot55. (That’s actually pronounced, “Robot Go Go” as “55” in Japanese can be pronounced as “Go Go.”)

Our Mission Statement says:

“We make wonderful video productions, at a profit if we can; at a loss if we must. But, no matter what, we make wonderful video productions.”

If we are not going to make something with all of our selves and our hearts aren’t it in, we don’t want to do it. Let’s live life to the fullest.

If you are an independent band about to come to Tokyo, won’t you contact us? Depending on our schedule and the type of music you do, maybe we can make some art together!

Edit the Movie? A “Rock N Roll Ghost Story”!

Yes. Today is the big day! The day of the first edit session for that movie or video project you’ve been thinking about.

We are doing that too for our “Rock N Roll Ghost Story” movie today too.

shoot 012615Shooting session at Shibuya Milky Way Jan. 26, 2015. Bottom right, clockwise: Ken Nishikawa, Enrico Ciccu, Bogie, Dori, Danny (The 50回転ズ)Tatsuji Nobuhara (The Privates), Taro Furukawa (famous DeeJay), Tomomi Hiraiwa (actress) and Mike Rogers (playing dead guy).

 

The entire video production team got together two times in Tokyo. The first day was Jan. 23, in Komazawa in Setagaya-Ku in Tokyo; the second shoot was Jan. 26th in Tokyo’s famous Shibuya area.

The Robot55 team had everything together to make a perfect shoot; lighting, professional video team, director, professional actors and, of course, a screenplay.

The screenplay is a sort of “map.” We have to have a screenplay; don’t know where you are going to without a map, right?

I plan on posting some early edits here for your pleasure!

Stay tuned!

A Japanese Rock & Roll Ghost Story

“Don’t dream it. Be it.” – Tim Curry as ‘Dr. Frankenfurter’ from the Rocky Horror Picture Show

Last year, when I had a close call with death (please refer to: Near Death at the Hospital, Last Month! – Back in Humor, This Month!) I realized that I needed to start doing the things in my life that I have been dreaming about. So, I decided that I had to get my talented friends together and make a short feature film. I think there is a chance for us to build a Rock & Roll Cult movement that is famous around the world between now and the 2020 Olympics.

I want to be in the center of that movement. The movement involves Japanese culture, past and present, rock and roll music and animation.

To make things easier to grasp, I think it might be good to tell you, dear reader, the 4 key words (images) that I always want to keep in mind for all the films and projects we make: 1) 1950s Science Fiction, 2) Rock and Roll, 3) Horror/Ghost movies, 4) Tarantino.

I think if I can keep my mind, and my staff’s mind, on these images, then we will succeed in making the kinds of things that will be perfect to put 2015 ~ 2020 Tokyo into the minds of the fans of cult films and music… Because the Olympics and big money cash-ins amongst the politically well connected ARE NOT what we, nor Japanese people are about… At least I hope so.

Our story is about a struggling Rock and Roll musician who finds the tortured spirit of an old blues musician living in his studio. At night, when they are all alone, the two together make music that is unworldly in its brilliance, yet no one can hear it except the struggling rocker and the dead blues musician. It doesn’t have a happy ending… Or does it?

I wanted to make this movie on the level of quality of something like Quentin Tarrantino makes. Yes. Laugh now, if you wish; it is a ridiculous goal for us. Ridiculous or not, that is the heights we aim for.

To be the director of the movie, I asked Enrico Ciccu who has written and directed for some very fine cult movie productions in Italy. He has agreed to direct. Enrico is a difficult person to work with; but that’s the way I like it. Great artists are never easy people to deal with. Enrico wrote the screenplay and had a large hand in the making for this short film which was accepted at the Sapporo Film Festival: “Julie – Johnny Guitar.”

I think “Julie – Johnny Guitar” captures the essence of what we want to accomplish in the Rock & Roll Ghost Story: A Tarantino style full of cinematic allusions and pop culture references.

In any quality film, not only is the director a critical issue, but lighting is also something that makes or breaks the visuals – and therefore the suspension of disbelief – in a film. For the lighting of our movie, I recruited a guy who has been a good friend for nearly twenty years. He was my next door neighbor for ten years and he is now my lighting director. His name is Yuji Wada…

Oh, yeah, I guess I should also mention that Yuji Wada was the lighting director for many Sophie Coppola films, one of my favorites was the Hollywood smash hit, Lost in Translation starring Bill Murray.

lost inThe lighting in this scene is the feel of what I want. Yuji is the perfect guy for that. Need proof? Here, below, is a shot from our session on Friday, Jan. 23, 2015. This is EXACTLY what I wanted.

ghost & pan

For our cameraman, I asked Ken Nishikawa who is a former BBC staff as well as director at TBS. Ken has worked on TV and film productions for just about every major TV station in Japan. He is a superb cameraman and brilliant artist. He also wrote the screenplay and is directing production for another Robot55 production entitled: Matsuchiyo – Life of a Geisha, which we will be going into serious production this spring. Here is the short trailer for that:

Finally, to put it all together, I needed actors who can actually perform and have a strong Rock and Roll image. Who better than one of Japan’s best rock and roll bands, “The Neatbeats”? Mr. Pan, lead singer of the Neatbeats, will play the part of our struggling musician. He is the hero, and failure, of our movie. He is the guy sitting on the right of the sofa in the photo above. The guy is just overflowing with Rock and Roll. He’s perfect!

Besides Mr. Pan, we also have several other famous Japanese rock stars acting in our movie. I am also in one scene acting as a guy who is drunk and almost dead from boredom. Here is that scene that was shot night before last on Jan. 26, 2015:

012615 camera set up

Robot55 movie shoot. On stage is the Privates. Table in front is Furukawa Taro and Tomomi Hiraiwa. Table behind (guy sleeping) is me, Mike Rogers (Brilliant acting, right?) Camera (far right) Enrico Ciccu (Director). Photo by Arai Osamu.

The editing for this film starts next week. As we progress, we will post updates. I may be acting dead in this photo, but I am going to die a happy man when this production is finished and it is world-quality and as good as anything Hollywood makes. It is one thing, a first of many, that all of us; Ken Nishikawa, Enrico Ciccu and me, have dreamt about all our lives.

Like the good doctor, said, “Don’t dream it. Be it.”

shoot 4 guys

Photo from the set of “A Japanese Rock & Roll Ghost Story” Left to right: Mike Rogers (sitting in front), Enrico Enrico Wtmm Ciccu (standing), Ken Nishikawa (kneeling in middle), Mr. Pan (sitting on sofa laughing). (photo by Osamu Arai)

—————

There is also a boom of English language videos and productions coming to Japan and Robot55 aims to be a key player in making viral videos for the foreign market that comes to Japan. Why not? We have people who live and work professionally in this market in TV and video production as well as guys who have made many commercials and smash hit (and cult) TV and radio shows.

I am confident that there is no other company in Japan who can touch us for that market; making viral videos in English for the foreigners coming to Japan for the Tokyo Olympics. There is a cult and cutlure boom coming to Japan in the next 5 years.