ROBOT55が筋肉少女帯の大槻ケンヂさんやイヤホンズの方々と一緒にやらせていただいた最新のお仕事だよ〜!観てね〜♬
ROBOT55’s latest work – with Kenji Otsuki from the legendary J-rock band “Kinniku Shojo Tai” and The Earphones. Enjoy!
ROBOT55が筋肉少女帯の大槻ケンヂさんやイヤホンズの方々と一緒にやらせていただいた最新のお仕事だよ〜!観てね〜♬
ROBOT55’s latest work – with Kenji Otsuki from the legendary J-rock band “Kinniku Shojo Tai” and The Earphones. Enjoy!
ビジネスのウェブページ 用テレビクオリティのビデオは(30秒)¥70,000~ (60秒)¥80,000!プロフェッショナルTVスタッフが作成いたします。 TV quality 30 ~ 60 second video for your business? ¥70,000 ~¥80,000.
English? No problem!
ビ ジネスのウェブページ (フェイスブック,Youtube, Twitter、ブログ、会社のウェブページ)用テレビクオリティのビデオは(30秒)¥70,000 ~ (60秒)¥80,000 (English OK!)
現役プロフェッショナルTVスタッフが作成いたします。もちろん、英語のビデオの制作も可!We have professional native English speakers on staff!
30秒例:30 Second example: (https://www.youtube.com/watch?v=VwdgP2bFL9I)
60秒例:60 Second example: (https://www.youtube.com/watch?v=E5B41Jio1MI)
ROBOT55 はビジネス、商業、製品紹介動画の制作のみならず、アートや音楽の映像も創っております。ビジネス動画においてはウェブ動画時代の到来に合わせ、お求めや すい¥70,000という格安価格より承ります。ご予算に応じて皆様にご満足のいく高品質動画を制作致します。勿論インディー・バンド向けPV制作も行っ ております。よ!
コチラよりお気軽にお問い合わせ下さいませ♬ Email: contact@robot55.jp
Send an email inquiry and we’ll get right back to you. Of course, Japanese, English, Korean, Chinese and Italian OK! (Foreign languages and/or subtitles, slight extra charge.)
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ROBOT55, Top 3 videos, video production tokyo, ビジネスビデオ制作, ビデオ, ビデオ制作, ビデオ編集, プロモーションビデオ, ロボット・ゴー・ゴー, 動画, 動画制作, 動画制作 東京, 動画制作、格安動画制作、ビデオ制作, 動画広告, 広告動画, 撮影, 映像, 東京, 格 安ビデオ制作, 格安, 短編映画, 紹介動画
ビジネスのウェブページ 用テレビクオリティのビデオは(30秒)¥70,000~ (60秒)¥80,000!プロフェッショナルTVスタッフが作成いたします。 TV quality 30 ~ 60 second video for your business? ¥70,000 ~¥80,000.
English? No problem!
ビ ジネスのウェブページ (フェイスブック,Youtube, Twitter、ブログ、会社のウェブページ)用テレビクオリティのビデオは(30秒)¥70,000 ~ (60秒)¥80,000 (English OK!)
現役プロフェッショナルTVスタッフが作成いたします。もちろん、英語のビデオの制作も可!We have professional native English speakers on staff!
30秒例:30 Second example: (https://www.youtube.com/watch?v=VwdgP2bFL9I)
60秒例:60 Second example: (https://www.youtube.com/watch?v=E5B41Jio1MI)
ROBOT55 はビジネス、商業、製品紹介動画の制作のみならず、アートや音楽の映像も創っております。ビジネス動画においてはウェブ動画時代の到来に合わせ、お求めや すい¥70,000という格安価格より承ります。ご予算に応じて皆様にご満足のいく高品質動画を制作致します。勿論インディー・バンド向けPV制作も行っ ております。よ!
コチラよりお気軽にお問い合わせ下さいませ♬ Email: contact@robot55.jp
Send an email inquiry and we’ll get right back to you. Of course, Japanese, English, Korean, Chinese and Italian OK! (Foreign languages and/or subtitles, slight extra charge.)
————————-
ROBOT55, Top 3 videos, video production tokyo, ビジネスビデオ制作, ビデオ, ビデオ制作, ビデオ編集, プロモーションビデオ, ロボット・ゴー・ゴー, 動画, 動画制作, 動画制作 東京, 動画制作、格安動画制作、ビデオ制作, 動画広告, 広告動画, 撮影, 映像, 東京, 格 安ビデオ制作, 格安, 短編映画, 紹介動画
皆様こんにちは。ROBOT55(ロボット・ゴー・ゴー)です!
業界最先端で仕事をしていて最大の特権はリリース前の新譜を聴けたり、封切り前の映画が観られるという事です♬
そんな訳でROBOT55、本日は今話題の『スター・ウォーズ/フォースの覚醒』!
制作発表時は「ディズニー」って聞いて「え”っ?」って思ったんですが、流石ですね〜♬
こんなところであまりネタバレしちゃってもアレなので、皆様の好奇心をくすぐる感想をちょっとだけ。
Lots of people have been wondering what’s up with the new Star Wars movie. Some have high expectations; some expect Disney to screw it up!
But, as my regular readers know, I work in the mass media and I have had access to a private viewing of the film ! Yes! I have seen it and Disney doesn’t disappoint!
ファンコミュニケーションズの柳澤さん&松本さん(ザ ファンクブラザーズ)の新しいミュージックビデオです!制作はROBOT55のKenとMike(ほとんどKenが働きMikeはソファで昼寝してたけど)ヒット間違いなしの良い曲です!是非みてください。The latest music video from the F@NCS Brothers. Production by Robot55 (Ken & Mike – Mike slept on the sofa – Ken edited) This is a funny parody of 1970s Japanese Folk Music!
ROBOT55 はビジネス、商業、製品紹介動画の制作のみならず、アートや音楽の映像も創っております。ビジネス動画においてはウェブ動画時代の到来に合わせ、お求めや すい¥70,000という格安価格より承ります。ご予算に応じて皆様にご満足のいく高品質動画を制作致します。勿論インディー・バンド向けPV制作も行っ ております。よ!
コチラよりお気軽にお問い合わせ下さいませ♬
(Photo at top: July 25, 2002. Left to right: George Williams, Jack White, Mike Rogers (me) and Meg White)
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“Your regrets aren’t what you did but what you didn’t do. That’s why you have to take every opportunity.” – Cameron Diaz
“Glory is fleeting, but obscurity is forever.” – Napoleon Bonaparte
Many years ago, in my wild eyed and bushy tailed youth (was it the late eighties, or the early nineties?) I was the director and co-host of a late-night smash hit radio show in Japan called, “Channel G” on InterFM.
Channel G was a radical radio show that was modeled after the radio shows I loved as a teen. There were three shows that I can really remember that I actually would rush home to listen to (people do that to watch their favorite TV show, but for a radio show?) The three I loved were: Rodney on the Roq on KROQ in Los Angeles (he’s still on today!) The Frazier Smith show, and the The Young Marquis and Stanley also on KROQ. (Click those links to listen to Frazier and Young Marquis!)
You can hear snippets of the Young Marquis and Stanley at the link above. Here’s a youtube for Frazier Smith. Hint: You can’t believe anything this guy says. Hilarious stuff!
Anyway… I digress….
This is about a radical radio show I made in Japan called Channel G that was modeled after my favorites when I was a teen and early 20-year-old and it’s about the White Stripes (namely Jack White).
Channel G played radical new music and alternative underground sounds. As with my show today, What the Funday, I believe it is my duty to introduce brand new music and brand new artists to the unsuspecting world way before anyone else does.
To that end, we used to play a new artists that no one had ever heard of at the time. Some of those artists we played became really famous; most just faded to oblivion. One of those artists we did play that became huge, was a guy and girl duo called, “The White Stripes.” We played them constantly.
One day, by some stroke of fate, before they were even remotely famous, the “White Stripes” came to the studio and were guests on the show. They were so thankful that we were playing them and that we allowed them as guests on the show. We were happy to have them!
The White Stripes were Jack and Meg White. Some people said they were married. I thought they were brother and sister. Never was able to clear that up (not that it matters.)
Anyhow, after the radio show interview, I got the chance to talk to Jack.
While chit chatting about the rich and famous Hollywood starlets that we both hobnobbed with regularity, the conversation came to a punk band that I was the lead vocal for in the late 1970s. Jack asked me the name of the band and when I told him, his eyes grew wide and he blurted out, “I bought your record when I was 13-years-old! I love that song! I still have that record!”
I was pleased as punch. Thank god for punk rock! I’ve had several people in my life tell me that sort of thing.
He asked me why we quit playing. I told him about the band and how we were “one-hit wonders” and popular for about six months; we shot up like a rocket to quick fame in early ’79. But, as they say, what goes up must come down; we crashed to oblivion just as fast.
I told Jack of my regrets.
Let me digress again, and relate to you the story of how my band crashed and burned. I told Jack:
“Sometime in the late 1970s, several months before the Sex Pistols came to America, the Nuns – or was the the Avengers? I can’t remember… (anyway the band that opened for the Sex Pistols in San Francisco) contacted us and wanted us to open for them in a big San Francisco show. Of course the guitarist and I wanted to do it… but those two idiots (Er, I mean, the bass player and drummer) said, “Oh, we can’t play that day because we promised our friends we’d go surfing with them.”
Seriously. They said that! Morons! That was effectively the end of our band; I will never forgive those two dimwits for that.
But, I’m the biggest idiot in this scene, though. If I knew then what I know today, I would have kicked their lame asses out of the band right then and there on the spot. Then Phester (the guitarist) and I would have went to S.F. and played by ourselves. I would have stuck a bass guitar in a trash can and we’d have grabbed any drummer.
But we didn’t kick them out and we didn’t go to S.F.
Big mistake. I will always regret that.”
Like it says at the top of this article:
“Your regrets aren’t what you did but what you didn’t do. That’s why you have to take every opportunity.”
Jack White listened to my story intently. Then he said something to me that I will never forget. He said,
“Mike! It’s better to have punked and lost, then to have never punked at all.”
Is that cool, or what? Thanks Jack White! What you told me made everything that had happened finally alright.
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ビ ジネスのウェブページ (フェイスブック,Youtube, Twitter、ブログ、会社のウェブページ)用テレビクオリティのビデオは(30秒)¥70,000 ~ (60秒)¥80,000 (English OK!)
現役プロフェッショナルTVスタッフが作成いたします。もちろん、英語のビデオの制作も可!We have professional native English speakers on staff!
ROBOT55 はビジネス、商業、製品紹介動画の制作のみならず、アートや音楽の映像も創っております。ビジネス動画においてはウェブ動画時代の到来に合わせ、お求めや すい¥70,000という格安価格より承ります。ご予算に応じて皆様にご満足のいく高品質動画を制作致します。勿論インディー・バンド向けPV制作も行っ ております。よ!
コチラよりお気軽にお問い合わせ下さいませ♬
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At Robot55 we make video productions for businesses and services and products, but we also pride ourselves on making videos for art and music. Our starting price is ¥70,000 and we are sure we can work out something that fits your budget. Oh, and we love making band videos too!
Contact us! contact@robot55.jp
ビ ジネスのウェブページ (フェイスブック,Youtube, Twitter、ブログ、会社のウェブページ)用テレビクオリティのビデオは(30秒)¥70,000 ~ (60秒)¥80,000 (English OK!)
現役プロフェッショナルTVスタッフが作成いたします。もちろん、英語のビデオの制作も可!We have professional native English speakers on staff!
30秒例:30 Second example:
60秒例:60 Second example:
Send an email inquiry and we’ll get right back to you. Of course, Japanese, English, Korean, Chinese and Italian OK! (Foreign languages and/or subtitles, extra charge.)
ROBOT55 はビジネス、商業、製品紹介動画の制作のみならず、アートや音楽の映像も創っております。ビジネス動画においてはウェブ動画時代の到来に合わせ、お求めや すい¥70,000という格安価格より承ります。ご予算に応じて皆様にご満足のいく高品質動画を制作致します。勿論インディー・バンド向けPV制作も行っ ております。よ!
コチラよりお気軽にお問い合わせ下さいませ♬
I first came to Japan in the late 1970s. There were very few foreigners in Tokyo back then. When I would walk through Shibuya and the Scramble intersection, people would point at me and say, “Look! There’s a foreigner!” Some people would even ask for an autograph.
Those were the good old days. Being a foreigner in Japan in those days was the same as being some superstar merely because of where you were born (kind of like British royalty). I rarely ever saw another foreigner back then.
One time, I think it was Jan. of 1979, I was waiting for my friend at 109 in Shibuya. They had just completed building it and I was told to wait there for my friend. I got there an hour early and, after walking around lost in Japan many times before that, I thought it would be best to stay there and wait for my friend rather than exploring and getting lost again.
While I was there waiting, four different beautiful Japanese girls walked up to me and said to me in nearly perfect English things like, “She’s not coming. I’m supposed to take you to dinner.” Or, “Your girlfriend called me and told me that she can’t make it, so I’m supposed to take you to coffee now.” Or, “It’s getting late, we’d better hurry or they’ll cancel our reservations.”
What?
I was so surprised. I wondered how these girls knew who I was and who my girlfriend, who I was waiting for, was? Weird, eh?
Duh! I figured out after the forth girl asked me to go somewhere with them, that they didn’t know who I was and they didn’t know my girlfriend, but they were trying to “pick me up!”
“Wow! What a wonderful country Japan is!” I thought, “This would never happen back home. Never in a million years!”
It wouldn’t. I have never had a girl try to pick me up back in my home country… Ever!
“Japan was like heaven!” I thought. I’ll never forget that experience.
A few years later, I would return again to Japan. This time, I got a regular job on TV Tokyo’s “Ohayo Studio.” I think it was in early 1985 or so. Ohayo Studio was hosted by Shiga san (I don’t know his first name), and Yasuha Ebina. They are both very well known stars in Japan.
I couldn’t believe my luck. I had only been in Japan a short time – couldn’t speak a word of Japanese – and, by some miracle, I got a regular job on a daily kid’s TV show. Impossible! Incredible!
I taught short English phrases on Ohayou Studio once a week. Also, on that show, there would be local J-Pop bands appearing. One time, though, the world-famous Menudo came to the studio. Menudo was the first group that Ricky Martin was ever in and they were touring Japan and Asia so they stopped into the show.
I was looking forward to talking to those guys because, even though I loved Japan and everything about it, I was dying to speak English to another native speaker (Spanish? Close enough!) and also simply dying for some good Mexican food! Figured that these boys might have brought along a few burritos!
In Japan at that time, there weren’t any good Mexican food restaurants at all. None. Zero. Zip.
Ok, well, I have to admit that that the band Menudo isn’t from Mexico, but, hell, being a dummy, I didn’t know that! I figured that they must have been from Mexico because the word “Menudo” is the name for a delicious traditional Mexican food dish.
Anyway, Ricky Martin and the boys from Menudo came to the studio and they “lip synced” (くちぱく) one of their songs. It was “FABULOUS!” (Wink! Wink!) After the show I went backstage and said to them, “Hi guys! I’m your biggest fan in Japan! I have all your records and I love Mexican food!”
They all looked down and kind of scowled and said, “We’re not from Mexico. We’re from Puerto Rico.”
How embarrassing! I said, “Oh? Yeah! I knew that! Well, that’s OK because I’m not from Japan! Ha! Ha!….. Ha!”
Oh, did I feel stupid!
Anyway, after that dumb remark from me, I could tell the room was getting cold and it seemed like, all of a sudden, the guys from Menudo didn’t want to talk to me so much, so I asked to take a photo and got out of there as quick as I could…
I could have never guessed that a decade later, Ricky Martin would become such a big super-star with that “Livin’ da Vida Loca” song…
So, I took the photo and, since then I have been telling people that I was an “original member” of Menudo; the photo is “proof”… And those brats kicked me out because I was the most handsome one in the group and getting all the hot babes (at least the ones who could smoke cigarettes and could go on a date without their mom driving the car!)
The story I was told from band management (or, at least the wild story I spread around) was that Ricky was extremely jealous of me and my action because of my good looks and being more “macho” (mui macho!) than all those skinny little punks put together…. Ricky was jealous so I had to go!
And that’s the truth. So help me God! Bwa! Ha! Ha!
Seriously, though… I do look like one of them, don’t I?
ROBOT55 はビジネス、商業、製品紹介動画の制作のみならず、アートや音楽の映像も創っております。ビジネス動画においてはウェブ動画時代の到来に合わせ、お求めや すい¥70,000という格安価格より承ります。ご予算に応じて皆様にご満足のいく高品質動画を制作致します。勿論インディー・バンド向けPV制作も行っ ております。よ!
コチラよりお気軽にお問い合わせ下さいませ♬
ビ ジネスのウェブページ (フェイスブック,Youtube, Twitter、ブログ、会社のウェブページ)用テレビクオリティのビデオは(30秒)¥70,000 ~ (60秒)¥80,000 (English OK!)
現役プロフェッショナルTVスタッフが作成いたします。もちろん、英語のビデオの制作も可!We have professional native English speakers on staff!
30秒:30 Second example:
60秒:60 Second example:
Send an email inquiry and we’ll get right back to you. Of course, Japanese, English, Korean, Chinese and Italian OK! (Foreign languages and/or subtitles, extra charge.)
ROBOT55 はビジネス、商業、製品紹介動画の制作のみならず、アートや音楽の映像も創っております。ビジネス動画においてはウェブ動画時代の到来に合わせ、お求めや すい¥70,000という格安価格より承ります。ご予算に応じて皆様にご満足のいく高品質動画を制作致します。勿論インディー・バンド向けPV制作も行っ ております。よ!
コチラよりお気軽にお問い合わせ下さいませ♬
ビ ジネスのウェブページ (フェイスブック,Youtube, Twitter)用テレビクオリティのビデオは(30秒)¥70,000 ~ (60秒)¥80,000 (English OK!) 現役プロフェッショナルTVスタッフが作成いたします。もちろん、英語のビデオの制作も可!We have professional native English speakers on staff!
30秒:30 Second example:
60秒:60 Second example:
Send an email inquiry and we’ll get right back to you. Of course, Japanese, English, Korean, Chinese and Italian OK! (Foreign languages and/or subtitles, extra charge.)
問い合わせオンライン:http://robot55.jp/contact/
問い合わせ email: contact@robot55.jp
ROBOT55 はビジネス、商業、製品紹介動画の制作のみならず、アートや音楽の映像も創っております。ビジネス動画においてはウェブ動画時代の到来に合わせ、お求めや すい¥70,000という格安価格より承ります。ご予算に応じて皆様にご満足のいく高品質動画を制作致します。勿論インディー・バンド向けPV制作も行っ ております。よ!
コチラよりお気軽にお問い合わせ下さいませ♬