For purely your enjoyment today, here’s two animations by a guy I really like named Adam Pesapane who is better known as simply, “Pes.” Pes isn’t that famous in Japan, but he is well known in the animation world in the west. I love animation and have been a Pes fan for a while as his work is a bit “twisted” and I like that.
The first one up is called, “Fresh Guacamole.” It is brilliant in concept yet it seems actually no more difficult to create than the old “Gumby” or “Davey and Goliath” animations from the sixties. (I think – but, actually, what do I know?)
First up is “Fresh Guacamole,” a film that was nominated for the Academy Award for Best Animated Short Film. It is the shortest film ever nominated for an Oscar.
PES (born Adam Pesapane; May 26, 1973) is an American director and stop-motion animator of numerous short films and commercials. In 2013, his short film Fresh Guacamole was nominated for the Academy Award for Best Animated Short Film. It is the shortest film ever nominated for an Oscar. Receiving a B.A. in English Literature at the University of Virginia, PES migrated to film as a storytelling medium. His use of everyday objects and stop-motion animation to create original material is instantly recognizable. His work has been recognized in the United States and internationally, especially the short films Roof Sex, KaBoom!, Game Over, Western Spaghetti, and Fresh Guacamole. He is currently in development on his first feature film, a movie based on the Garbage Pail Kids franchise. An early influence on PES’s animation style is the work of Czech surrealist Jan Švankmajer.
Here is the now classic, “Western Spaghetti.”
OK, so, now that we’re here, might as well show you some of what Czech surrealist Jan Švankmajer created. Be forewarned, this can be a bit bizarre (and sometimes disgusting!) Here’s “Food” by Jan Švankmajer.
When thinking about making your own video production in Japan, sometimes a special, magical touch is to do some sort of animation. An extremely simple, but effective, animation can be done quite cheaply. As usual, though, it’s always a good imagination and a brilliant idea that cuts costs.
We at Robot55 pride ourselves on being experienced creators with a proven track record of working on and creating hit TV and radio shows, as well as commercials.
If you are thinking about an animation, why don’t you give us a shout and then, let’s discuss and get the creative juices flowing. There’s always a great idea that’s an inexpensive idea if we all put our minds to it.
Notes: Not to brag, but, in fact, Mike won first place for a film and animation he made in the Sophomore Class at the well known and famous Moorpark College where he studied Cinematography and Animation for two years under award winning cinematographer and Oscar nominee, Gregory Nava.)
Yes. Today is the big day! The day of the first edit session for that movie or video project you’ve been thinking about.
We are doing that too for our “Rock N Roll Ghost Story” movie today too.
Shooting session at Shibuya Milky Way Jan. 26, 2015. Bottom right, clockwise: Ken Nishikawa, Enrico Ciccu, Bogie, Dori, Danny (The 50回転ズ）Tatsuji Nobuhara (The Privates), Taro Furukawa (famous DeeJay), Tomomi Hiraiwa (actress) and Mike Rogers (playing dead guy).
The entire video production team got together two times in Tokyo. The first day was Jan. 23, in Komazawa in Setagaya-Ku in Tokyo; the second shoot was Jan. 26th in Tokyo’s famous Shibuya area.
The Robot55 team had everything together to make a perfect shoot; lighting, professional video team, director, professional actors and, of course, a screenplay.
The screenplay is a sort of “map.” We have to have a screenplay; don’t know where you are going to without a map, right?
I plan on posting some early edits here for your pleasure!
Last year, when I had a close call with death (please refer to: Near Death at the Hospital, Last Month! – Back in Humor, This Month!) I realized that I needed to start doing the things in my life that I have been dreaming about. So, I decided that I had to get my talented friends together and make a short feature film. I think there is a chance for us to build a Rock & Roll Cult movement that is famous around the world between now and the 2020 Olympics.
I want to be in the center of that movement. The movement involves Japanese culture, past and present, rock and roll music and animation.
To make things easier to grasp, I think it might be good to tell you, dear reader, the 4 key words (images) that I always want to keep in mind for all the films and projects we make: 1) 1950s Science Fiction, 2) Rock and Roll, 3) Horror/Ghost movies, 4) Tarantino.
I think if I can keep my mind, and my staff’s mind, on these images, then we will succeed in making the kinds of things that will be perfect to put 2015 ~ 2020 Tokyo into the minds of the fans of cult films and music… Because the Olympics and big money cash-ins amongst the politically well connected ARE NOT what we, nor Japanese people are about… At least I hope so.
Our story is about a struggling Rock and Roll musician who finds the tortured spirit of an old blues musician living in his studio. At night, when they are all alone, the two together make music that is unworldly in its brilliance, yet no one can hear it except the struggling rocker and the dead blues musician. It doesn’t have a happy ending… Or does it?
I wanted to make this movie on the level of quality of something like Quentin Tarrantino makes. Yes. Laugh now, if you wish; it is a ridiculous goal for us. Ridiculous or not, that is the heights we aim for.
To be the director of the movie, I asked Enrico Ciccu who has written and directed for some very fine cult movie productions in Italy. He has agreed to direct. Enrico is a difficult person to work with; but that’s the way I like it. Great artists are never easy people to deal with. Enrico wrote the screenplay and had a large hand in the making for this short film which was accepted at the Sapporo Film Festival: “Julie – Johnny Guitar.”
I think “Julie – Johnny Guitar” captures the essence of what we want to accomplish in the Rock & Roll Ghost Story: A Tarantino style full of cinematic allusions and pop culture references.
In any quality film, not only is the director a critical issue, but lighting is also something that makes or breaks the visuals – and therefore the suspension of disbelief – in a film. For the lighting of our movie, I recruited a guy who has been a good friend for nearly twenty years. He was my next door neighbor for ten years and he is now my lighting director. His name is Yuji Wada…
Oh, yeah, I guess I should also mention that Yuji Wada was the lighting director for many Sophie Coppola films, one of my favorites was the Hollywood smash hit, Lost in Translation starring Bill Murray.
The lighting in this scene is the feel of what I want. Yuji is the perfect guy for that. Need proof? Here, below, is a shot from our session on Friday, Jan. 23, 2015. This is EXACTLY what I wanted.
For our cameraman, I asked Ken Nishikawa who is a former BBC staff as well as director at TBS. Ken has worked on TV and film productions for just about every major TV station in Japan. He is a superb cameraman and brilliant artist. He also wrote the screenplay and is directing production for another Robot55 production entitled: Matsuchiyo – Life of a Geisha, which we will be going into serious production this spring. Here is the short trailer for that:
Finally, to put it all together, I needed actors who can actually perform and have a strong Rock and Roll image. Who better than one of Japan’s best rock and roll bands, “The Neatbeats”? Mr. Pan, lead singer of the Neatbeats, will play the part of our struggling musician. He is the hero, and failure, of our movie. He is the guy sitting on the right of the sofa in the photo above. The guy is just overflowing with Rock and Roll. He’s perfect!
Besides Mr. Pan, we also have several other famous Japanese rock stars acting in our movie. I am also in one scene acting as a guy who is drunk and almost dead from boredom. Here is that scene that was shot night before last on Jan. 26, 2015:
Robot55 movie shoot. On stage is the Privates. Table in front is Furukawa Taro and Tomomi Hiraiwa. Table behind (guy sleeping) is me, Mike Rogers (Brilliant acting, right?) Camera (far right) Enrico Ciccu (Director). Photo by Arai Osamu.
The editing for this film starts next week. As we progress, we will post updates. I may be acting dead in this photo, but I am going to die a happy man when this production is finished and it is world-quality and as good as anything Hollywood makes. It is one thing, a first of many, that all of us; Ken Nishikawa, Enrico Ciccu and me, have dreamt about all our lives.
Like the good doctor, said, “Don’t dream it. Be it.”
Photo from the set of “A Japanese Rock & Roll Ghost Story” Left to right: Mike Rogers (sitting in front), Enrico Enrico Wtmm Ciccu (standing), Ken Nishikawa (kneeling in middle), Mr. Pan (sitting on sofa laughing). (photo by Osamu Arai)
—————
There is also a boom of English language videos and productions coming to Japan and Robot55 aims to be a key player in making viral videos for the foreign market that comes to Japan. Why not? We have people who live and work professionally in this market in TV and video production as well as guys who have made many commercials and smash hit (and cult) TV and radio shows.
I am confident that there is no other company in Japan who can touch us for that market; making viral videos in English for the foreigners coming to Japan for the Tokyo Olympics. There is a cult and cutlure boom coming to Japan in the next 5 years.
