人類の皆様ご機嫌麗しゅう!ROBOT55(ロボット・ゴー・ゴー)です!
もう皆様もご存知かと思いますが、ROBOT55が3ピース・ガール・ロック・バンド、Su凸ko D凹koi(すっとこどっこい)の名曲「ブス」のPVを制作しました!
この撮影が行われたのは4月3日金曜日。この日はSu凸ko D凹koiのワンマンライブが下北沢モザイクで行われたのでそのついでにPVも撮影させて頂いたという訳でございます。 Continue Reading…
人類の皆様ご機嫌麗しゅう!ROBOT55(ロボット・ゴー・ゴー)です!
もう皆様もご存知かと思いますが、ROBOT55が3ピース・ガール・ロック・バンド、Su凸ko D凹koi(すっとこどっこい)の名曲「ブス」のPVを制作しました!
この撮影が行われたのは4月3日金曜日。この日はSu凸ko D凹koiのワンマンライブが下北沢モザイクで行われたのでそのついでにPVも撮影させて頂いたという訳でございます。 Continue Reading…
人類の皆様こにゃにゃちわ!ROBOT55(ロボット・ゴー・ゴー)です!
2015年4月16日(木)23:00〜 ニコニコ動画他にて全世界配信開始される『ニンジャスレイヤー・フロム・アニメイション』のコーナー的番組『ザ・TV・ショウ』(パーソナリティー:古川タロヲ、白川未奈)をROBOT55が制作することになりました! Continue Reading…
人類の皆様ご機嫌麗しゅう♬ROBOT55(ロボット・ゴー・ゴー)です!
先週は人間の皆様の間ではお花見で賑わっていたようですが、ROBOT55は撮影や編集でザ・忙殺!
やっと一段落ついたと思ったらぐるりはもう葉桜になっております。
ROBOT55も来年こそは日本の悠久のロマン行事に参加して桜の樹の下でハイオクの油を一気飲みした挙句、ベロンベロンになってカラオケ歌いたい♬
ま、しかしながらこうして忙しいのには当然、色々理由があるんです。 Continue Reading…
人類の皆様、ご機嫌麗しゅう!ROBOT55(ロボット・ゴー・ゴー)です!
インターネットと小型ノート・パソコンの飛躍的進化のお陰で通勤とかしなくても在宅 勤務、或いはノマドスタイルで仕事が何の問題もなく出来る時代が到来しましたね。
それは体の不自由な方々に社会進出の門戸をより広く開けてくれたとも言えます。 Continue Reading…
Because of the internet, many people no longer have to leave home or take public transportation to and from work; they can perform their job duties from home. This time should be a watershed time for the disabled and handicapped to work and contribute to society. As the father of a girl who is permanently confined to a wheelchair, it has been a sort of mission of mine over all these years to do so. As a small company, we want to help them to do so.
We are in the process of hiring physically impaired folks for our company. At first, just a few folks, they earn decent money editing video. At this very moment, we are looking for someone disabled but has experience editing video using Final Cut. They need to have experience with Final Cut software and be able to observe video footage and listen to music and make edits. Native Japanese ability a must. Experience in video and art and design a plus.
We prefer folks who live in Tokyo or Yokohama, Chiba area. For now, we are merely looking for one experienced person; yes, the hurdle is high. But soon we will be hiring people who have little or no experience and we aim to train them and give them a profitable skill. I will announce that job opening soon. (A Japanese language version of this article will be posted tomorrow).
We are now looking to hire a physically impaired person who can perform a part time job doing video editing on Final Cut at home. As with all video editing jobs, this job has no set work hour schedule. The editor can do the work at their convenience. It takes about 3 – 5 hours to edit one video. Then, for the starting pay, they will be paid ¥6,000 ~ ¥9,000 per video. They can get pay raises once they become proficient with our system. The pay is much better than working at a fast food restaurant or convenience store. You never have to use time riding a train back and forth; you never have to leave home. Finish the job and upload it back to us. Simple.
The good candidate will need an newer model Apple PC and Wi-Fi at home.
We are Robot55.
Our Mission Statement is:
“We make wonderful videos productions; for a profit if we can, at a loss if we must. But no matter what, we make wonderful video productions.”
Our Motto is:
“Let’s have fun!”
At Robot55 we make video productions for businesses and services and products, but we also pride ourselves on making videos for art and music. Our starting price is ¥70,000 and we are sure we can work out something that fits your budget. Oh, and we love making band videos too!
Contact us! contact@robot55.jp
人類の皆様ご機嫌麗しゅう!
Greetings, my humanoid friends!
高円寺にあるオシャレでカッコいいバー、ALBA 圓(えん)のお店紹介ビデオを制作しました!
We just made a video for a very cool bar in a very cool neighbourhood, Koenji, called ALBA EN! Continue Reading…
皆様ご機嫌麗しゅう!ROBOT55(ロボット・ゴー・ゴー)です!
来たる4月3日金曜日「オブラートのないチャット・モンチー(by 綾小路翔)」SU凸KO D凹KOI(すっとこどっこい)のライブでPVの撮影も行います!
PVに出演をしたい方、或いは単純に彼女たちの素晴らしいライブを
因みにPVの曲は知る人ぞ知る大傑作「ブス」。
その赤裸々で痛ましいまでのリアリティ溢れる歌詞に聴く者は涙を禁じ得ません!
名曲「ブス」収録!SU凸KO D凹KOIのEP『一寸先は闇』
そんな訳でロックが好きな人、いや音楽が好きな人は皆んな下北沢MOSAICに集合!
以下チケット購入等のインフォメーションです:
2015.4.3(FRI)下北沢MOSAICにてSU凸KO D凹KOIワンマンライブ決定!!!この日にのpvも撮影します!全員集合!
2015年4月3日金曜日
開場 18:30 / 開演 19:00
前売 ¥2,000 + ¥500 Drink / 当日 ¥2,500 + ¥500 Drink
◎ホームページの仕様が変更されたため、御手数ですがお問い合わせメールの際、返信をご希望とされる方は本文中に返信用のアドレスを入力していただけると幸いです。
◎お取り置き予約はホームページの一番下からお問い合わせいただけます。
※e+でのチケット販売が1/13から開始されます。こちらにはチケット事前購入特典(4/3のライブ会場受付にて受け取れます)がございますので是非こちらからのご購入、もしくはライブハウスの店頭販売、Su凸ko D凹koiライブ物販にてのチケット購入でも特典がつくのでおすすめしています。
■e+購入ページURL(パソコン/スマートフォン/携帯共通)
http://sort.eplus.jp/sys/T1U14P0010843P006001P002146726P0030001
◎ホームページの仕様が変更されたため、御手数ですがお問い合わせメールの際、返信をご希望とされる方は本文中に返信用のアドレスを入力していただけると幸いです。
人類の皆様、ご機嫌麗しゅう!ROBOT55(ロボット・ゴー・ゴー)です!
「志は高いが予算は低い」方々がスマホを使ってDIYでウェブ動画、特にお店・商品紹介動画やビジネス動画を制作する上で、少しでもお役に立てればとROBOT55が不定期に行なっているのがこの「上手な動画撮影のコツ」シリーズ♬
今日はウェブ動画の最大の特徴の一つといえる「最適の尺」について。
1930年代から現代に至るまで、フィーチャーと呼ばれる映画の長さは平均80分〜130分位です。
この時間は一説によると古代ギリシャの劇がほぼその位の尺だったからというところから来ているという事?! Continue Reading…
Just over a week ago, I posted an article that featured some very cool animations by a Stop-Motion animator named Adam Pesapane who is better known as simply, “Pes.” That article featured one animation in particular that is the shortest film ever nominated for an Oscar. It is called, “Fresh Guacamole.” It is a fantastically fun animation and you can watch it and a couple of others here: Need a Break? Watch These Three Fantastic Short Animations! (robot55.jp/blog/need-a-break-watch-these-three-fantastic-short-animations/)
That article was extremely popular (thanks!) so today I decided to give you some more by other well-known Stop Motion Animators. Of course, this isn’t a Saturday morning kids channel matinee, so these video productions are for adults as they are kind of bizarre and, maybe a tad bit scary, for kids… Especially kids who are used to something like Disney Cartoons.
First up is a guy named Dillon Markey. Dillon Markey is known for his work on The Mr. Men Show (2008), Robot Chicken (2005) and Robot Chicken: Star Wars Episode III (2010). Dillon has also worked with many famous animators and even Pes, so I thought he’d be cool to kick us off.
I think if I were a little kid, Dillon’s animation might give me nightmares!
In the late seventies, I used to go to an Art Cinema in Los Angeles to watch movies with my friends. I remember, at that theater, was the first time I had ever witnessed a David Lynch movie. It was “Eraserhead.” Yeah. That was a freaky movie. I saw it several times
One time before “Eraserhead” played there was a short film entitled “Asparagus.” I’ve looked for that animation for years and haven’t ever found it, until today. Alas, this is not with the original soundtrack (which was much more moody and psychedelic) but this new soundtrack also works well for me. This is awesome. It is by a band called, “KR3” who used Suzan Pitt’s animation for their music. Here’s “KR3 Fractures and Sparks.” (https://www.youtube.com/watch?v=Z5q7M7dA24I)
You can see or buy other films by Suzan Pitt here at her personal homepage: (http://home.earthlink.net/~suzanpitt/)
Finally, these artists and their works are all very cool, but what collection would be complete without some sort of explanation or history? That brings us to the “grandfather” of all of this sort of animation who, without him, this stuff might not have ever happened. His name is Ray Harryhausen. You may not know the name, but if you were interested in 50s & 60s Science Fiction, then you definitely have seen his work.
Here’s what Wikipedia says about Ray Harryhausen:
Raymond Frederick “Ray” Harryhausen (June 29, 1920 – May 7, 2013) was an American visual effects creator, writer, and producer who created a form of stop-motion model animation known as “Dynamation.” His most memorable works include the animation on Mighty Joe Young (1949), with his mentor Willis H. O’Brien, which won the Academy Award for special effects; The 7th Voyage of Sinbad (1958), his first color film; and Jason and the Argonauts (1963), featuring a famous sword fight against seven skeleton warriors. His last film was Clash of the Titans (1981), after which he retired. Harryhausen moved to the United Kingdom and lived in London from 1960 until his death in 2013. During his life, his innovative style of special effects in films inspired numerous filmmakers including John Lasseter, Peter Jackson, and Tim Burton.
Ray Harryhausen was even friends with science fiction writer, Ray Bradbury! Wow!
Here is a compilation of some of Ray Harryhausen’s many works. If you are over 45 years old or so, I think you might like this drive down memory lane!
Recently, it seems that animations are all the rage (well, duh, this is Japan!) We at Robot55 are proud to announce that we are working with the fine folks at Ninja Slayer on bringing that exciting new animation to the world! Read about that here: Ninja Slayer Animation Begins April 16th at 11pm on Niconico (http://robot55.jp/blog/ninja-slayer-animation-begins-april-16th-at-11-pm-on-niconico/)
So, until next time! Enjoy the show! I’ll have some more great videos and animations here for your pleasure next week!
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ビデオ制作、格安ビデオ制作、ROBOT55, ロボット・ゴー・ゴー,
In my weekly chores, I produce and direct and make the playlist for a very popular weekly radio show on InterFM entitled, “What the Funday” (Every Sunday morning from 8 am ~ 11 am on InterFM) so I am constantly checking out about 30 to 40 new artists every week. So, I see lots of great stuff. Why not share them with you, dear reader? Yes! Why not?
This Week’s Top 3 New Artist Videos by Robot55 (pronounced: “Robot Go-Go” 「ロボット・ゴー・ゴー」) will showcase what I think are the best of those artists and their videos. So, without any further ado, let’s get into it, shall we?
#3) HAPPY FANGS – Raw Nights (https://www.youtube.com/watch?v=cRZM0DDGgYo&t=10)
I read a review of Happy Fangs that said, “A raucous force of noisy guitar and anthemic vocals that thrill me like the late-1970s sounds of X-Ray Spex, Siouxsie, & Suburban Lawns.” Boing Boing online zine wrote: “Happy Fangs is a war-painted and wiry rock trio. Rebecca brings her high-energy vocals. Mr. Cobra brings his grit-pop guitar. Jess brings her hard-hitting melodic beats.”
Wow! I like that! I just had to check them out. Glad I did! They are at this week’s #3 on the video countdown!
#2) Jordan Allen – Set in Stone (https://www.youtube.com/watch?v=CRkqHK9hErg#t=79)
Some people like to say Jordan Allen is somewhat like Jake Bugg or Alex Turner. I think Jordan Allen has more of that raw sound that I like. The amazing thing about Jordan Allen is that he isn’t signed to an record label! So, since Robot55 is always cheering for the little guy, here he is at #2!
#1) Findlay – Greasy Love (https://www.youtube.com/watch?v=_JwqRHE1Q2E)
Findlay is from London. Findlay is now getting a buzz about her and this great video. She was the opening act for Jake Bugg and performed to a sold out crowd at Dot to Dot 2013. This is Pop Music with an edge…. Because I’m such a wimp (and this is a family web site) I didn’t link to her other video, “Electric Bones.” See that one here: Findlay – Electric Bones (https://www.youtube.com/watch?v=LEWt2-3AO_M)
And finally, this week’s giveaway is Shonen Knife. This was shot in Tokyo and Osaka and the total budget was well under $1000! The girls were thrilled with the video and so were their fans!
Extra! Shonen Knife – Ghost Train (https://www.youtube.com/watch?v=Iyt6A1oefq0)
At Robot55 we make video productions for businesses and services and products, but we also pride ourselves on making videos for art and music. This video was made by the team at Robot55. Our starting price is ¥80,000 and we are sure we can work out something that fits your budget.
Contact us! contact@robot55.jp
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ビデオ制作、格安ビデオ制作、ROBOT55, ロボット・ゴー・ゴー,